7 titles, most signed or inscribed: Miscellanea. San Mateo, CA: Bern Porter 1945. Illustrated boards. Dampstaining, some chipipng to spine. No 48 of 500 copies signed by Porter and with an Autograph Postcard Signed by Miller inserted at back as issued. * First Impressions of Greece. Santa Barbara: Capra Press, 1973. Black cloth. No 21 of 250 copies, signed by Miller. * Gliding into the Everglades. Santa Barbara: Lost Pleiades Press, 1976. Cloth backed illustrated boards. No 221 of 250 copies, signed by Miller. * Letters of Henry Miller and Wallace Fowlie. New York: Grove, 1975. Black cloth. Inscribed "To Kenny du Main / Henry Mill / 8/28/76. * Order and Chaos chez Hans Reichel New Orleans: Loujon Press, 1966. Cork boards, illustrated jacket. One of 1399 copies, the "cork edition." * The Mezzotints. Ann Arbor: Roger Jackson, 1993. Bound text volume and portfolio of loose letterpress handbills and a photograph of Miller's Brooklyn brownstone, clamshell case. Copy 'P' of 26 copies, signed and lettered by the publisher. * Bezalel Schatz Foreword by Miller. San Francisco: SF Museum of Art, 1949. Staplebound exhibition catalog and serigraph signed by Schatz, laid into blue wrappers, detached leaf facing title signed by Miller.
7 titles, most signed or inscribed: Miscellanea. San Mateo, CA: Bern Porter 1945. Illustrated boards. Dampstaining, some chipipng to spine. No 48 of 500 copies signed by Porter and with an Autograph Postcard Signed by Miller inserted at back as issued. * First Impressions of Greece. Santa Barbara: Capra Press, 1973. Black cloth. No 21 of 250 copies, signed by Miller. * Gliding into the Everglades. Santa Barbara: Lost Pleiades Press, 1976. Cloth backed illustrated boards. No 221 of 250 copies, signed by Miller. * Letters of Henry Miller and Wallace Fowlie. New York: Grove, 1975. Black cloth. Inscribed "To Kenny du Main / Henry Mill / 8/28/76. * Order and Chaos chez Hans Reichel New Orleans: Loujon Press, 1966. Cork boards, illustrated jacket. One of 1399 copies, the "cork edition." * The Mezzotints. Ann Arbor: Roger Jackson, 1993. Bound text volume and portfolio of loose letterpress handbills and a photograph of Miller's Brooklyn brownstone, clamshell case. Copy 'P' of 26 copies, signed and lettered by the publisher. * Bezalel Schatz Foreword by Miller. San Francisco: SF Museum of Art, 1949. Staplebound exhibition catalog and serigraph signed by Schatz, laid into blue wrappers, detached leaf facing title signed by Miller.
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