A Berlin pale-celadon and gold-ground Französischen topographical vase Circa 1858, blue printed eagle within a circle and sceptre marks, indistinct incised mark, the threaded fixing screw stamped no. 1 and 1858 and repeated in ink manuscript on the wood washer With two matt-gilt griffin and foliage handles, the body painted after Carl Daniel Freydanck with views of Sanssouci bei Potsdam. and Das Neue Palais bei Potsdam. , named on the interior of the neck in black, within richly burnished gilt gadrooned rectangular surrounds flanked by gilt scrolling foliage and swans, the flared cylindrical gilt neck with a band of foliage and two circular medallions, the lower part with radiating foliage above a gilt-metal collar and a flared circular foot burnished with gilt foliage and gadroons and a plain gilt square base (some very minor rubbing to foot and base) 27¼in. (69cm.) high
A Berlin pale-celadon and gold-ground Französischen topographical vase Circa 1858, blue printed eagle within a circle and sceptre marks, indistinct incised mark, the threaded fixing screw stamped no. 1 and 1858 and repeated in ink manuscript on the wood washer With two matt-gilt griffin and foliage handles, the body painted after Carl Daniel Freydanck with views of Sanssouci bei Potsdam. and Das Neue Palais bei Potsdam. , named on the interior of the neck in black, within richly burnished gilt gadrooned rectangular surrounds flanked by gilt scrolling foliage and swans, the flared cylindrical gilt neck with a band of foliage and two circular medallions, the lower part with radiating foliage above a gilt-metal collar and a flared circular foot burnished with gilt foliage and gadroons and a plain gilt square base (some very minor rubbing to foot and base) 27¼in. (69cm.) high
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