Auktionsarchiv: Los-Nr. 312

A RARE PAIR OF PRESSED HORN RELIEF PORTRAITS BY JOHN OSBORN (1581/4-1634) , DATED 1626

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Zuschlagspreis:
n. a.
Auktionsarchiv: Los-Nr. 312

A RARE PAIR OF PRESSED HORN RELIEF PORTRAITS BY JOHN OSBORN (1581/4-1634) , DATED 1626

Schätzpreis
Zuschlagspreis:
n. a.
Beschreibung:

A RARE PAIR OF PRESSED HORN RELIEF PORTRAITS BY JOHN OSBORN (1581/4-1634)
DATED 1626
Depicting Henry, Prince of Orange, and Princess Amelia of Orange in profile- opposing each other, reverse with raised title and inscriptions 'FRED. HENRICUS. D.G. PRINCEPS AVRIACÆ COMES NASSOVIA ETC. JOH OSBORN. ANGL AMSTEROD. FECIT 1626' and 'AMALIA D.G PRINCEPS AVRIACÆ ETC 1626 JOH OSBORN ANGL AMSTEROD FECIT 1626', ebonised frames, trace of old printed label to reverse
the horn panels approximately 15cm high, the frames 20cm high
Provenance:
Private Collection
Literature:
L. Forrer, Biographical dictionary of medallists; coin, gem, and seal-engravers, mint-masters, ancient and modern, with references to their works B.C. 500-A.D. 1900, London 1904.
These rare portraits were made by the Worcestershire born leather, whalebone and horn craftsman John Osborn. After 20 or so years in England he emigrated to Amsterdam where he plied his trade producing tokens, medallions and portraits such as these. Given the fragile nature few seem to have survived. However a comparable pair of portraits from the same date are held in the British Museum Collections (OA-4594 & 1889-0706-1).
In Forer's biography the British Museum pair are described:
"The busts of Frederick Henry, Prince of Orange, and his wife Amelia seem to have been executed by John Osborn expressly for impressing horn. They are also found in bronze and lead, but both materials show traces of being cast from originals in horn, and not struck directly from the die. They are evidently the work of a practised hand, both as portraits and as examples of medallic art, and they can fairly take rank with the many grand portraits by Dutch artists of the same period."
Condition Report:
With wear, marks, knocks and scratches as per age, handling, use, and cleaning. Some rubbing to raised elements notably noses and eyebrows of each, natural shrinkage with some vertical lines visible notably above left of his head. Reverse with wear and chips around margins but this looks to be possibly from original handling and construction. Surface dirt throughout and quite coarse gluing into frames- he is starting to work loose form his frame and could do with regluing
Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request.
Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.
Condition Report Disclaimer

Auktionsarchiv: Los-Nr. 312
Beschreibung:

A RARE PAIR OF PRESSED HORN RELIEF PORTRAITS BY JOHN OSBORN (1581/4-1634)
DATED 1626
Depicting Henry, Prince of Orange, and Princess Amelia of Orange in profile- opposing each other, reverse with raised title and inscriptions 'FRED. HENRICUS. D.G. PRINCEPS AVRIACÆ COMES NASSOVIA ETC. JOH OSBORN. ANGL AMSTEROD. FECIT 1626' and 'AMALIA D.G PRINCEPS AVRIACÆ ETC 1626 JOH OSBORN ANGL AMSTEROD FECIT 1626', ebonised frames, trace of old printed label to reverse
the horn panels approximately 15cm high, the frames 20cm high
Provenance:
Private Collection
Literature:
L. Forrer, Biographical dictionary of medallists; coin, gem, and seal-engravers, mint-masters, ancient and modern, with references to their works B.C. 500-A.D. 1900, London 1904.
These rare portraits were made by the Worcestershire born leather, whalebone and horn craftsman John Osborn. After 20 or so years in England he emigrated to Amsterdam where he plied his trade producing tokens, medallions and portraits such as these. Given the fragile nature few seem to have survived. However a comparable pair of portraits from the same date are held in the British Museum Collections (OA-4594 & 1889-0706-1).
In Forer's biography the British Museum pair are described:
"The busts of Frederick Henry, Prince of Orange, and his wife Amelia seem to have been executed by John Osborn expressly for impressing horn. They are also found in bronze and lead, but both materials show traces of being cast from originals in horn, and not struck directly from the die. They are evidently the work of a practised hand, both as portraits and as examples of medallic art, and they can fairly take rank with the many grand portraits by Dutch artists of the same period."
Condition Report:
With wear, marks, knocks and scratches as per age, handling, use, and cleaning. Some rubbing to raised elements notably noses and eyebrows of each, natural shrinkage with some vertical lines visible notably above left of his head. Reverse with wear and chips around margins but this looks to be possibly from original handling and construction. Surface dirt throughout and quite coarse gluing into frames- he is starting to work loose form his frame and could do with regluing
Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request.
Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.
Condition Report Disclaimer

Auktionsarchiv: Los-Nr. 312
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