Including Million Dollar Legs, International House, Tillie and Gus, Six of a Kind, You're Telling Me!, The Old-Fashioned Way, Mrs. Wiggs of the Cabbage Patch, It's a Gift, Man on the Flying Trapeze, Poppy, and The Big Broadcast of 1938.
Please note that there may be some duplication of photographs in each film folder.
Million Dollar Legs (aka On Your Mark) (Paramount Pictures, 1932). Starring W.C. Fields. Director Edward F. Cline. Approximately 90 silver gelatin photographs, 8 x 10 in., many with photographer "A.E. Freudeman" stamped to verso, one featuring Jack Oakie.
International House (Paramount Pictures, 1933). Starring W.C. Fields. Director A. Edward Sutherland. Approximately 70 silver gelatin photographs, 8 x 10 in., many with photographer "A.E. Freudeman" stamped to verso, one featuring Bela Lugosi.
Tillie and Gus (Paramount Pictures, 1933). Starring W.C. Fields. Director Francis Martin Approximately 65 silver gelatin photographs, 8 x 10 in., many with photographer "A.E. Freudeman" stamped to verso.
Six of a Kind (Paramount Pictures, 1934). Starring W.C. Fields. Director Leo McCarey. Approximately 35 silver gelatin photographs, 8 x 10 in., many with location descriptions handwritten in ink to border, some with photographer "A.E. Freudeman" stamped to verso.
You're Telling Me! (Paramount Pictures, 1934). Starring W.C. Fields. Director Erle C. Kenton. Approximately 40 silver gelatin photographs, 8 x 10 in., almost all with location descriptions handwritten in ink to border, some with photographer "A.E. Freudeman" stamped to verso.
The Old-Fashioned Way (Paramount Pictures, 1934). Starring W.C. Fields. Director Willam Beaudine. Approximately 50 silver gelatin photographs, 8 x 10 in., almost all with location descriptions handwritten in ink to border, many with photographer "A.E. Freudeman" stamped to verso, two featuring W.C. Fields playing checkers.
Mrs. Wiggs of the Cabbage Patch (Paramount Pictures, 1934). Starring W.C. Fields. Director Norman Taurog. Approximately 190 silver gelatin photographs, 8 x 10 in., almost all with location descriptions handwritten in ink to border, some with photographer "A.E. Freudeman" stamped to verso.
It's a Gift (Paramount Pictures, 1934). Starring W.C. Fields. Director Norman Z. McLeod. Approximately 45 silver gelatin photographs, 8 x 10 in., almost all with location descriptions handwritten in ink to border, some with photographer "A.E. Freudeman" stamped to verso.
Man on the Flying Trapeze (aka Everything Happens At Once) (Paramount Pictures, 1935). Starring W.C. Fields. Director Clyde Buckman. Approximately 50 silver gelatin photographs, 8 x 10 in., almost all with location descriptions handwritten in ink to border, many with photographer "A.E. Freudeman" stamped to verso.
Poppy (Paramount Pictures, 1936). Starring W.C. Fields. Director A. Edward Sutherland. Approximately 100 silver gelatin photographs, 8 x 10 in., almost all with location descriptions handwritten in ink to border, many with photographer "A.E. Freudeman" stamped to verso, one featuring Rochelle Hudson.
The Big Broadcast of 1938 (Paramount Pictures, 1938). Starring W.C. Fields. Director Mitchell Leisen. Approximately 65 silver gelatin photographs, 8 x 10 in., almost all with location descriptions handwritten in ink to border, some with "Set Dressing (36)" stamped to verso.
W.C. Fields started out in vaudeville as a juggler and comedian and conquered Hollywood by developing a reputation for being an alcoholic who disliked children. Unfortunately, his comedic genius was undermined by these characteristics (which were likely exaggerated), even though he was a success in both film and radio. His popular films at Paramount couldn't save his contract with the studio; they dropped him after alcohol caused problems during the filming of Poppy (1936) and The Big Broadcast of 1938 (1938). He went on to star in a few more films, most notably in a partnership with Mae West, but his career declined and he died in 1946, two years after the release of his last film.
8 x 10 in. or smaller
Including Million Dollar Legs, International House, Tillie and Gus, Six of a Kind, You're Telling Me!, The Old-Fashioned Way, Mrs. Wiggs of the Cabbage Patch, It's a Gift, Man on the Flying Trapeze, Poppy, and The Big Broadcast of 1938.
Please note that there may be some duplication of photographs in each film folder.
Million Dollar Legs (aka On Your Mark) (Paramount Pictures, 1932). Starring W.C. Fields. Director Edward F. Cline. Approximately 90 silver gelatin photographs, 8 x 10 in., many with photographer "A.E. Freudeman" stamped to verso, one featuring Jack Oakie.
International House (Paramount Pictures, 1933). Starring W.C. Fields. Director A. Edward Sutherland. Approximately 70 silver gelatin photographs, 8 x 10 in., many with photographer "A.E. Freudeman" stamped to verso, one featuring Bela Lugosi.
Tillie and Gus (Paramount Pictures, 1933). Starring W.C. Fields. Director Francis Martin Approximately 65 silver gelatin photographs, 8 x 10 in., many with photographer "A.E. Freudeman" stamped to verso.
Six of a Kind (Paramount Pictures, 1934). Starring W.C. Fields. Director Leo McCarey. Approximately 35 silver gelatin photographs, 8 x 10 in., many with location descriptions handwritten in ink to border, some with photographer "A.E. Freudeman" stamped to verso.
You're Telling Me! (Paramount Pictures, 1934). Starring W.C. Fields. Director Erle C. Kenton. Approximately 40 silver gelatin photographs, 8 x 10 in., almost all with location descriptions handwritten in ink to border, some with photographer "A.E. Freudeman" stamped to verso.
The Old-Fashioned Way (Paramount Pictures, 1934). Starring W.C. Fields. Director Willam Beaudine. Approximately 50 silver gelatin photographs, 8 x 10 in., almost all with location descriptions handwritten in ink to border, many with photographer "A.E. Freudeman" stamped to verso, two featuring W.C. Fields playing checkers.
Mrs. Wiggs of the Cabbage Patch (Paramount Pictures, 1934). Starring W.C. Fields. Director Norman Taurog. Approximately 190 silver gelatin photographs, 8 x 10 in., almost all with location descriptions handwritten in ink to border, some with photographer "A.E. Freudeman" stamped to verso.
It's a Gift (Paramount Pictures, 1934). Starring W.C. Fields. Director Norman Z. McLeod. Approximately 45 silver gelatin photographs, 8 x 10 in., almost all with location descriptions handwritten in ink to border, some with photographer "A.E. Freudeman" stamped to verso.
Man on the Flying Trapeze (aka Everything Happens At Once) (Paramount Pictures, 1935). Starring W.C. Fields. Director Clyde Buckman. Approximately 50 silver gelatin photographs, 8 x 10 in., almost all with location descriptions handwritten in ink to border, many with photographer "A.E. Freudeman" stamped to verso.
Poppy (Paramount Pictures, 1936). Starring W.C. Fields. Director A. Edward Sutherland. Approximately 100 silver gelatin photographs, 8 x 10 in., almost all with location descriptions handwritten in ink to border, many with photographer "A.E. Freudeman" stamped to verso, one featuring Rochelle Hudson.
The Big Broadcast of 1938 (Paramount Pictures, 1938). Starring W.C. Fields. Director Mitchell Leisen. Approximately 65 silver gelatin photographs, 8 x 10 in., almost all with location descriptions handwritten in ink to border, some with "Set Dressing (36)" stamped to verso.
W.C. Fields started out in vaudeville as a juggler and comedian and conquered Hollywood by developing a reputation for being an alcoholic who disliked children. Unfortunately, his comedic genius was undermined by these characteristics (which were likely exaggerated), even though he was a success in both film and radio. His popular films at Paramount couldn't save his contract with the studio; they dropped him after alcohol caused problems during the filming of Poppy (1936) and The Big Broadcast of 1938 (1938). He went on to star in a few more films, most notably in a partnership with Mae West, but his career declined and he died in 1946, two years after the release of his last film.
8 x 10 in. or smaller
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