Alan Fears A Hunk in Trunks, 2022 Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About British Artist Education Art and Design at Eastbourne College of Arts and Technology (1990-1992). BA Fine Art - Nottingham Trent University (1995-1998) Select Exhibitions/Awards John Moores Painting Prize, The Walker Art Gallery, Liverpool: February - June, 2021 Featured cover and portfolio artist of the 2019 summer issue of The Paris Review. John Moores Painting Prize, The Walker Art Gallery, Liverpool: July - November, 2018 Statement about AOAP Submitted Artwork A naive artist, a graphic artist, a pop artist... I am a slice of each. My style is simple and direct. The theme in most of my art revolves around reminding myself, and everybody else, how great and stupid humans can be and therefore how great and stupid life can be' Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
Alan Fears A Hunk in Trunks, 2022 Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About British Artist Education Art and Design at Eastbourne College of Arts and Technology (1990-1992). BA Fine Art - Nottingham Trent University (1995-1998) Select Exhibitions/Awards John Moores Painting Prize, The Walker Art Gallery, Liverpool: February - June, 2021 Featured cover and portfolio artist of the 2019 summer issue of The Paris Review. John Moores Painting Prize, The Walker Art Gallery, Liverpool: July - November, 2018 Statement about AOAP Submitted Artwork A naive artist, a graphic artist, a pop artist... I am a slice of each. My style is simple and direct. The theme in most of my art revolves around reminding myself, and everybody else, how great and stupid humans can be and therefore how great and stupid life can be' Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
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