An iron-oxide and slip-decorated earthenware incense burner
KENZAN WARE, EDO PERIOD, SIGNED KENZAN SHINSEI GO (OGATA KENZAN; 1663-1743) AND SEALED KENZAN , SHOKO (VENERATION OF ANTIQUITY) AND TOIN (HERMIT POTTER), DATED SHOTOKU KINOTO-BI TOSHI (1715)
An iron-oxide and slip-decorated earthenware incense burner Kenzan ware, Edo period, signed Kenzan shinsei go (Ogata Kenzan; 1663-1743) and sealed Kenzan , shoko (veneration of antiquity) and toin (hermit potter), dated Shotoku kinoto-bi toshi (1715) Decorated in sgraffito style in the manner of Chinese Cizhou ware in iron-oxide and white slip as a Chinese lion seated in a square enclosure raised on a stepped base supported on three stump feet, the square lower section of the censer painted in iron-oxide with three rectangular panels of chrysanthemums and a fourth panel of calligraphy in Chinese characters taken from a Tang-dynasty poem, the sides of the two stepped sections of the vessel painted with bands of clouds and a geometric band, the lion seated within the fenced top section forming the knop of the square cover of the censer, pierced to allow the incense smoke to rise from the deep interior, the exterior additionally decorated by a transparent glaze 5 1/8 x 5 1/8 x 8in. (13 x 13 x 20.3cm.)
An iron-oxide and slip-decorated earthenware incense burner
KENZAN WARE, EDO PERIOD, SIGNED KENZAN SHINSEI GO (OGATA KENZAN; 1663-1743) AND SEALED KENZAN , SHOKO (VENERATION OF ANTIQUITY) AND TOIN (HERMIT POTTER), DATED SHOTOKU KINOTO-BI TOSHI (1715)
An iron-oxide and slip-decorated earthenware incense burner Kenzan ware, Edo period, signed Kenzan shinsei go (Ogata Kenzan; 1663-1743) and sealed Kenzan , shoko (veneration of antiquity) and toin (hermit potter), dated Shotoku kinoto-bi toshi (1715) Decorated in sgraffito style in the manner of Chinese Cizhou ware in iron-oxide and white slip as a Chinese lion seated in a square enclosure raised on a stepped base supported on three stump feet, the square lower section of the censer painted in iron-oxide with three rectangular panels of chrysanthemums and a fourth panel of calligraphy in Chinese characters taken from a Tang-dynasty poem, the sides of the two stepped sections of the vessel painted with bands of clouds and a geometric band, the lion seated within the fenced top section forming the knop of the square cover of the censer, pierced to allow the incense smoke to rise from the deep interior, the exterior additionally decorated by a transparent glaze 5 1/8 x 5 1/8 x 8in. (13 x 13 x 20.3cm.)
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