ANDRE (ACTIVE 19TH CENTURY), BORDET (ACTIVE 19TH CENTURY), and JULES PENEL (ACTIVE 19TH CENTURY), after BERNARD (ACTIVE 19TH CENTURY), after DUCHAMPT (ACTIVE 19TH CENTURY), and after RIQUOIS (ACTIVE 19TH CENTURY) Le Nouvel Opéra de Paris, Charles Garnier Arch.: Volume 1: Four Plates four engravings, 1862, with hand-coloring, on wove papers, published by Ducher, Paris, all with margins, very minor creasing on a few plates, PL. 34 and PL. 35 both with areas of unobtrusive old moisture damage, PL. 25 with pale old mat staining in the right margin, otherwise all apparently in very good condition, in faux-bronzed frames and French mats with wash lines, not examined out of the frames two P. approx. 23 x 15 5/8 in. (583 x 396 mm.) two P. approx. 15 5/8 x 23 in. (396 x 583 mm.) two overall 34 x 26½ in. (863 x 672 mm.) two overall 26½ x 34 in. (672 x 863 mm.) (4)
ANDRE (ACTIVE 19TH CENTURY), BORDET (ACTIVE 19TH CENTURY), and JULES PENEL (ACTIVE 19TH CENTURY), after BERNARD (ACTIVE 19TH CENTURY), after DUCHAMPT (ACTIVE 19TH CENTURY), and after RIQUOIS (ACTIVE 19TH CENTURY) Le Nouvel Opéra de Paris, Charles Garnier Arch.: Volume 1: Four Plates four engravings, 1862, with hand-coloring, on wove papers, published by Ducher, Paris, all with margins, very minor creasing on a few plates, PL. 34 and PL. 35 both with areas of unobtrusive old moisture damage, PL. 25 with pale old mat staining in the right margin, otherwise all apparently in very good condition, in faux-bronzed frames and French mats with wash lines, not examined out of the frames two P. approx. 23 x 15 5/8 in. (583 x 396 mm.) two P. approx. 15 5/8 x 23 in. (396 x 583 mm.) two overall 34 x 26½ in. (863 x 672 mm.) two overall 26½ x 34 in. (672 x 863 mm.) (4)
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