Artist: Felim Egan (b.1952) Title: River Red (2006) Signature: signed and dated '06 verso Medium: acrylic on canvas Size: 91½ x 91½cm (36 x 36in) Framed Size: 116 x 116cm (45.7 x 45.7in) Provenance: Private Collection a#morebtn { color: #de1d01; } a#morebtn:hover { cursor: pointer;} Long regarded as one of Ireland's foremost abstract artists, Felim Egan devised his characteristic painterly language quite early on. Geometric elements, squares, oblongs and fragments of curved lines, are deployed against fields of rich, though never stridently bright colour. Tonal variations are c... Read more Long regarded as one of Ireland's foremost abstract artists, Felim Egan devised his characteristic painterly language quite early on. Geometric elements, squares, oblongs and fragments of curved lines, are deployed against fields of rich, though never stridently bright colour. Tonal variations are carefully pitched, rarely dramatic and contribute to an overall mood of orderly, classical poise. Musical analogies, often suggested by observers, seem altogether appropriate.
Artist: Felim Egan (b.1952) Title: River Red (2006) Signature: signed and dated '06 verso Medium: acrylic on canvas Size: 91½ x 91½cm (36 x 36in) Framed Size: 116 x 116cm (45.7 x 45.7in) Provenance: Private Collection a#morebtn { color: #de1d01; } a#morebtn:hover { cursor: pointer;} Long regarded as one of Ireland's foremost abstract artists, Felim Egan devised his characteristic painterly language quite early on. Geometric elements, squares, oblongs and fragments of curved lines, are deployed against fields of rich, though never stridently bright colour. Tonal variations are c... Read more Long regarded as one of Ireland's foremost abstract artists, Felim Egan devised his characteristic painterly language quite early on. Geometric elements, squares, oblongs and fragments of curved lines, are deployed against fields of rich, though never stridently bright colour. Tonal variations are carefully pitched, rarely dramatic and contribute to an overall mood of orderly, classical poise. Musical analogies, often suggested by observers, seem altogether appropriate.
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