Ashendene Press and Vale Press -- Longus: Daphnis and Chloe, limited to 250 copies, 4to, Ashendene Press, 1933 [Franklin p.197], printed in red and black, manuscript initial letters in blue by the workshop of Graily Hewitt, wood-engraved illustrations by Gwen Raverat, original half vellum (rubbed) -- Ricketts (Charles) and Lucien Pissarro De la Typographie et de l'Harmonie de la Page Imprimée; William Morris et Son Influence sur les Arts et Métiers, limited to 250 copies, 4to, Paris and London, [The Vale Press], 1898 [Tomlinson 16], printed in red and black, advertising leaf, also printed in red and black, loosely inserted, original decorative boards (one corner 0epaired); and another by Charles Ricketts and the Vale Press. (3)
Ashendene Press and Vale Press -- Longus: Daphnis and Chloe, limited to 250 copies, 4to, Ashendene Press, 1933 [Franklin p.197], printed in red and black, manuscript initial letters in blue by the workshop of Graily Hewitt, wood-engraved illustrations by Gwen Raverat, original half vellum (rubbed) -- Ricketts (Charles) and Lucien Pissarro De la Typographie et de l'Harmonie de la Page Imprimée; William Morris et Son Influence sur les Arts et Métiers, limited to 250 copies, 4to, Paris and London, [The Vale Press], 1898 [Tomlinson 16], printed in red and black, advertising leaf, also printed in red and black, loosely inserted, original decorative boards (one corner 0epaired); and another by Charles Ricketts and the Vale Press. (3)
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