Details
ATTRIBUÉ À GIOVANNI BATTISTA NALDINI (FLORENCE 1537-1591)
Le martyre de saint Laurent
sanguine, plume et encre brune, lavis brun
18,8 x 16 cm (7 1/2 x 6 3/8 in.)
Provenance
Sir Robert Luwig Mond (1867-1938), Londres (L. 2813a).
Vente Sotheby’s, Londres, 6 juillet 2005, lot 79 (comme École florentine du XVIe siècle).
Collectionneur anonyme (marque ‘FB’ avec feuille de ginkgo biloba, pas dans Lugt) (sur le montage).
Literature
T.C. Borenius, R. Wittkower, Catalogue of the Collection of Drawings by the Old Masters formed by Sir Robert Mond, Londres, [1937], n° 278 (comme ‘Attribué à Taddeo Zuccaro’).
Exhibited
Lisbonne, Museu Nacional Soares dos Reis, European Master Drawings from Portuguese Collections II. Italy and Portugal, 2021, n° 20 (catalogue par N. Turner).
Post lot text
ATTRIBUTED TO GIOVANNI BATTISTA DI MATTEO NALDINI, THE MARTYRDOM OF SAINT LAWRENCE, RED CHALK, PEN AND BROWN INK, BROWN WASH
After having been tentatively attributed to Taddeo Zuccaro and later more generally to the Florentine School, recently an attribution to the Florentine artist Naldini has been suggested. The subject was treated by many Florentine artists of the time. As noted by Nicholas Turner (op. cit., p. 64), the drawing’s composition was probably influenced by Agnolo Bronzino’s large altarpiece from 1569 in the church of San Lorenzo, Florence.
Details
ATTRIBUÉ À GIOVANNI BATTISTA NALDINI (FLORENCE 1537-1591)
Le martyre de saint Laurent
sanguine, plume et encre brune, lavis brun
18,8 x 16 cm (7 1/2 x 6 3/8 in.)
Provenance
Sir Robert Luwig Mond (1867-1938), Londres (L. 2813a).
Vente Sotheby’s, Londres, 6 juillet 2005, lot 79 (comme École florentine du XVIe siècle).
Collectionneur anonyme (marque ‘FB’ avec feuille de ginkgo biloba, pas dans Lugt) (sur le montage).
Literature
T.C. Borenius, R. Wittkower, Catalogue of the Collection of Drawings by the Old Masters formed by Sir Robert Mond, Londres, [1937], n° 278 (comme ‘Attribué à Taddeo Zuccaro’).
Exhibited
Lisbonne, Museu Nacional Soares dos Reis, European Master Drawings from Portuguese Collections II. Italy and Portugal, 2021, n° 20 (catalogue par N. Turner).
Post lot text
ATTRIBUTED TO GIOVANNI BATTISTA DI MATTEO NALDINI, THE MARTYRDOM OF SAINT LAWRENCE, RED CHALK, PEN AND BROWN INK, BROWN WASH
After having been tentatively attributed to Taddeo Zuccaro and later more generally to the Florentine School, recently an attribution to the Florentine artist Naldini has been suggested. The subject was treated by many Florentine artists of the time. As noted by Nicholas Turner (op. cit., p. 64), the drawing’s composition was probably influenced by Agnolo Bronzino’s large altarpiece from 1569 in the church of San Lorenzo, Florence.
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