(Berlin 1847–1935) “An der Elbe”, 1916, etching on wove paper reworked with charcoal, signed Max Liebermann inscribed and dated Max Liebermann 1916, numbered II. 2/2 and inscribed II/2 Etat, plate size 21.1 x 26 cm, sheet size 30.8 x 36 cm, Schiefler 160 II/2, framed This is the reworked proof mentioned in the catalogue raisonné by Gustav Schiefler. According to him it is the only reworked print of the two proofs of the second state. Provenance: Collection Dr. Heinrich Stinnes (1867–1932), Cologne August Klipstein (1885–1951), Berne, with the stamp on the reverse (Lugt 2373a). Klipstein acquired the Liebermann prints from the Stinnes Collection en bloc at the beginning of World War II. In order to sell the prints individually, they were stamped with ‘ST-K’ (= Stinnes-Klipstein) Private Collection, Germany
(Berlin 1847–1935) “An der Elbe”, 1916, etching on wove paper reworked with charcoal, signed Max Liebermann inscribed and dated Max Liebermann 1916, numbered II. 2/2 and inscribed II/2 Etat, plate size 21.1 x 26 cm, sheet size 30.8 x 36 cm, Schiefler 160 II/2, framed This is the reworked proof mentioned in the catalogue raisonné by Gustav Schiefler. According to him it is the only reworked print of the two proofs of the second state. Provenance: Collection Dr. Heinrich Stinnes (1867–1932), Cologne August Klipstein (1885–1951), Berne, with the stamp on the reverse (Lugt 2373a). Klipstein acquired the Liebermann prints from the Stinnes Collection en bloc at the beginning of World War II. In order to sell the prints individually, they were stamped with ‘ST-K’ (= Stinnes-Klipstein) Private Collection, Germany
.jpg "Quelle: Christie's")
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.jpg "Quelle: Christie's")
