Cecil Beaton Two black and white portrait photographs by Cecil Beaton, taken at the same session, 1955, one a half-length seated study of Fonteyn with parrot tulips, the other a profile head and shoulders study of Fonteyn with roses, both signed by photographer in red crayon on card mount, the former signed Cecil Beaton , the latter Love from Cecil , both with photographer's ink credit on reverse, the former additionally inscribed on the reverse in an unidentified hand Jan 14 1955 and Informal , largest -- 10x9in. (25.4x22.9cm.) ; and a black and white portrait photograph by Beaton of Fonteyn wearing a Bianca Mosca dress, 1949, signed by photographer in red crayon on mount, the reverse inscribed at a later date in Fonteyn's hand Bianca Mosca dress worn at reception, Gracie Mansion, after 1st New York part of 1949 -- 9½x8in. (24.2x20.3cm.) (3)
Cecil Beaton Two black and white portrait photographs by Cecil Beaton, taken at the same session, 1955, one a half-length seated study of Fonteyn with parrot tulips, the other a profile head and shoulders study of Fonteyn with roses, both signed by photographer in red crayon on card mount, the former signed Cecil Beaton , the latter Love from Cecil , both with photographer's ink credit on reverse, the former additionally inscribed on the reverse in an unidentified hand Jan 14 1955 and Informal , largest -- 10x9in. (25.4x22.9cm.) ; and a black and white portrait photograph by Beaton of Fonteyn wearing a Bianca Mosca dress, 1949, signed by photographer in red crayon on mount, the reverse inscribed at a later date in Fonteyn's hand Bianca Mosca dress worn at reception, Gracie Mansion, after 1st New York part of 1949 -- 9½x8in. (24.2x20.3cm.) (3)
.jpg "Quelle: Christie's")
.jpg "Quelle: Christie's")
.jpg "Quelle: Christie's")
.jpg "Quelle: Christie's")
.jpg "Quelle: Christie's")
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