Beschreibung:

Charlotte Perriand Table, from a "chambre d’étudiant," Maison du Brésil, Cité Internationale Universitaire de Paris circa 1956-1959 Painted steel, plastic laminate-covered plywood, molded plastic. 27 1/2 x 33 7/8 x 33 7/8 in. (70 x 86 x 86 cm) Drawers molded with MODELE CHARLOTTE PERRIAND/BREVETE S.G.D.G./© CHARLOTTE PERRIAND/ADAGP 2002/TIRAGE LIMITE BRESIL 02.
Provenance Maison du Brésil, Cité Internationale Universitaire de Paris, 1956-1959 Literature Françoise Choay, "vous montre le Pavillon du Brésil que Le Corbusier vient d’achever à la Cité Universitaire de Paris," L’Œil, September 1959, p. 58 Willy Boesiger ed., Le Corbusier et Son Atelier rue de Sèvres 35: Œuvre Complète, Volume 7 • 1957-65, New York, 1990, p. 198 Élisabeth Vedrenne, "Le Corbu à La Cité U.," L’Œil, Paris, November 1998, p. 72 Artist Bio Charlotte Perriand French • 1903 - 1999 Trailblazer Charlotte Perriand burst onto the French design scene in her early 20s, seemingly undeterred by obstacles in an era when even the progressive Bauhaus school of design barred women from architecture and furniture design courses. She studied under Maurice Dufrêne at the École de l'Union Centrale des art Décoratifs, entering into a competition at the 1925 Expo des Arts Décoratifs by age 22 and gaining critical acclaim for her exhibition at the Salon d'Automne in 1927. On the heels of this success, that same year she joined the Paris design studio of Le Corbusier and his cousin Pierre Jeanneret For ten years the three collaborated on "equipment for living," such as the iconic tubular steel B306 Chaise Longue (1928). After World War II, Perriand joined forces with Jean Prouvé to create modernist furniture that combined the precise lines of Prouvé's bent steel with the soft, round edges and warmth of natural wood. View More Works