Daisy Richardson Choices, Like Wilde Rivers, 2022 Collage and Pencil on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Born 1975, Edinburgh. I work across drawing, painting, sculpture and collage. Education MA Painting, Royal College of Art (2007) BA (HONS) Fine Art, Glasgow School of Art (1997) Select Exhibitions/Awards 2022 Contemporary Painting Prize Exhibition, Studio 1 Gallery Workshop, London These Times, Making Space, London Entheos, RGI Kelly Gallery, Glasgow 2021 Contemporary British Painting Prize, Huddersfield Art Gallery, Huddersfield I Didn't Lick it, Bruton Museum, Bruton 2018 BYOB: Bring Your Own Beamer, The Lighthouse, Glasgow 2017 Dividing Time, Glasgow Project Room, Glasgow (solo exhibition) 2014 WE, Latitude 53, Edmonton WIN: JD Fergusson Award Winners, Perth Museum, Perth 2013 WE, Haight Gallery, Calgary The Owl Service, Transition Gallery, London 2011 Terrestrial Objects, Glasgow Project Room, Glasgow (solo exhibition) 2009 Shapeshifting, Kusseneers Gallery, Antwerp (solo exhibition) Visual Artist and Craft Maker Award, 2018 Open Project Funding from Creative Scotland, 2016 Flora Wood Award, 2012 Jerwood Drawing Prize student prize, 2007 Red Mansion Foundation Art Prize, 2007 Anna Miller Trust Scholarship, 2004 JD Fergusson Travel Award, 2002 Statement about AOAP Submitted Artwork Inspired by a phrase of the song 'Choices, Like Wide Rivers' by James Yorkston and The Second Hand Orchestra, I was thinking about the choices that we make that affect our lives and the decisions that parents have to make for their children that will determine their futures. I wanted the rock to appear slightly confusing and threatening. I imagined the world flowing by the room like a river with the water eddying around your chair as you tried to make the correct move while not getting washed away. Although there are no figures in my work, it's always about people and lived experience. The ideas are shown through the lens of geology, time, space and the minutiae of landscape. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Daisy Richardson Choices, Like Wilde Rivers, 2022 Collage and Pencil on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Born 1975, Edinburgh. I work across drawing, painting, sculpture and collage. Education MA Painting, Royal College of Art (2007) BA (HONS) Fine Art, Glasgow School of Art (1997) Select Exhibitions/Awards 2022 Contemporary Painting Prize Exhibition, Studio 1 Gallery Workshop, London These Times, Making Space, London Entheos, RGI Kelly Gallery, Glasgow 2021 Contemporary British Painting Prize, Huddersfield Art Gallery, Huddersfield I Didn't Lick it, Bruton Museum, Bruton 2018 BYOB: Bring Your Own Beamer, The Lighthouse, Glasgow 2017 Dividing Time, Glasgow Project Room, Glasgow (solo exhibition) 2014 WE, Latitude 53, Edmonton WIN: JD Fergusson Award Winners, Perth Museum, Perth 2013 WE, Haight Gallery, Calgary The Owl Service, Transition Gallery, London 2011 Terrestrial Objects, Glasgow Project Room, Glasgow (solo exhibition) 2009 Shapeshifting, Kusseneers Gallery, Antwerp (solo exhibition) Visual Artist and Craft Maker Award, 2018 Open Project Funding from Creative Scotland, 2016 Flora Wood Award, 2012 Jerwood Drawing Prize student prize, 2007 Red Mansion Foundation Art Prize, 2007 Anna Miller Trust Scholarship, 2004 JD Fergusson Travel Award, 2002 Statement about AOAP Submitted Artwork Inspired by a phrase of the song 'Choices, Like Wide Rivers' by James Yorkston and The Second Hand Orchestra, I was thinking about the choices that we make that affect our lives and the decisions that parents have to make for their children that will determine their futures. I wanted the rock to appear slightly confusing and threatening. I imagined the world flowing by the room like a river with the water eddying around your chair as you tried to make the correct move while not getting washed away. Although there are no figures in my work, it's always about people and lived experience. The ideas are shown through the lens of geology, time, space and the minutiae of landscape. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
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