Debbie Urquhart Primula and Eggs, 2023 Oil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About The starting point for me is always nature. I select from the colours and shapes that I see and I make paintings.it is a process that I have been working on my whole life and it is always evolving towards the simplification and abstraction of what I see. Education Newcastle University, graduating in 1995 Select Exhibitions/Awards Windsor and Newton young artist award 2001 and 2002. Solo exhibitions at the Nine British Art gallery, 20th Century Gallery, Messum's and the Redfern gallery. Many mixed exhibitions, with plans to exhibit work next year at the Portland gallery, London Statement about AOAP Submitted Artwork These paintings are images of a pink primula on a table with a bowl of eggs. This is a very familiar subject matter for me. I enjoy the colours and design that the objects lend themselves to. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Debbie Urquhart Primula and Eggs, 2023 Oil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About The starting point for me is always nature. I select from the colours and shapes that I see and I make paintings.it is a process that I have been working on my whole life and it is always evolving towards the simplification and abstraction of what I see. Education Newcastle University, graduating in 1995 Select Exhibitions/Awards Windsor and Newton young artist award 2001 and 2002. Solo exhibitions at the Nine British Art gallery, 20th Century Gallery, Messum's and the Redfern gallery. Many mixed exhibitions, with plans to exhibit work next year at the Portland gallery, London Statement about AOAP Submitted Artwork These paintings are images of a pink primula on a table with a bowl of eggs. This is a very familiar subject matter for me. I enjoy the colours and design that the objects lend themselves to. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
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