Eight individually framed 19th-century Japanese woodblock prints, the majority after Utagawa Hiroshige (1797-1858), comprising 'The Bay of Tago and the Pine Field of Miho', 'Shiomizaka, Sea Prospect Hill' 'Travellers riding in Palanquins and crossing over Mt. Hakone', from the series 'Views of the Fifty-Three Posting Stations' (35 cm x 23.5 cm, 16 cm x 21.5 cm & 35.5 cm x 22.5 cm), 'Shiba Coast' and 'Fudo waterfall in Ohji District', from the series 'The Hundred Views in Yedo, Tokyo' (33 cm x 21.5 cm & 32.5 cm x 21 cm), 'The kabuki scene of Act II of Chushingura (Forty-seven Ronin)', (24.5 cm x 36 cm), and one other (title not known), 16 cm x 22 cm, together with another after Utagawa Toyokuni III (1786-1865), 'Beauty Komurasaki playing a Samisen', from the series 'Selected Thirty-six Beauties', 36.5 cm x 24.5 cm, each framed and glazed.
Eight individually framed 19th-century Japanese woodblock prints, the majority after Utagawa Hiroshige (1797-1858), comprising 'The Bay of Tago and the Pine Field of Miho', 'Shiomizaka, Sea Prospect Hill' 'Travellers riding in Palanquins and crossing over Mt. Hakone', from the series 'Views of the Fifty-Three Posting Stations' (35 cm x 23.5 cm, 16 cm x 21.5 cm & 35.5 cm x 22.5 cm), 'Shiba Coast' and 'Fudo waterfall in Ohji District', from the series 'The Hundred Views in Yedo, Tokyo' (33 cm x 21.5 cm & 32.5 cm x 21 cm), 'The kabuki scene of Act II of Chushingura (Forty-seven Ronin)', (24.5 cm x 36 cm), and one other (title not known), 16 cm x 22 cm, together with another after Utagawa Toyokuni III (1786-1865), 'Beauty Komurasaki playing a Samisen', from the series 'Selected Thirty-six Beauties', 36.5 cm x 24.5 cm, each framed and glazed.
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.jpg "Quelle: Christie's")
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