Beschreibung:

Ewerdt Hilgemann (1938) Relief Structure No. 168 (1972-1974) Signed twice, titled and numbered R 1972/74 nr. 168 on the reverse Unique piece Relief, 60 x 60 cm Provenance: Private collection, the Netherlands * Condition report available upon request
Marlene Dumas (1953) The Supermodel (1995) Signed and dated 1995 lower right Titled and numbered PP (the only printer's proof, aside the edition of 100 + 15 artist's proofs) lower left Published by the Institute of Contemporary Art, Philadelphia Handprinted lithograph, in four separate runs, on Lana Royal paper, 66 x 51.7 cm Provenance: - Handmade prints, Amsterdam, 2010 - Collection Cornelia Weijsenfeld, de Wittenberg, Garderen Note: The lithograph 'The Supermodel' by Marlene Dumas stands as a notable piece in her body of work, depicting the iconic supermodel Naomi Campbell. Housed in the collection of the Stedelijk Museum in Amsterdam, this artwork serves as a captivating testament to Dumas' distinctive and refined artistic style. Through the lens of her lithographic technique, Dumas captures not only the external glamour associated with supermodels but also infuses the portrayal with a subtle undercurrent of melancholy. The work not only showcases Dumas' technical skill but also invites viewers to engage with the complex interplay between beauty, celebrity, and the underlying emotions that permeate her subjects. 'The Supermodel' thus becomes a poignant exploration of both the allure and the vulnerabilities inherent in the world of supermodels, encapsulating the nuanced storytelling that characterizes Dumas' artistic approach. * Condition report available upon request
Ewerdt Hilgemann (1938) Relief Structure No. 168 (1972-1974) Signed twice, titled and numbered R 1972/74 nr. 168 on the reverse Unique piece Relief, 60 x 60 cm Provenance: Private collection, the Netherlands * Condition report available upon request
Marlene Dumas (1953) Say it in broken English (Portrait of Marianne Faithfull) (2014) Signed, titled Marianne Faithfull, dated 2014, numbered 10/100 and annotated lower left Titled Say it in - broken English in the print lower right Printed by Bernard Ruijgrok, Amsterdam (with blindstamp) Piezograph in colours, 59.5 x 50 cm Provenance: Acquired directly from the artist by the present owner Note: In 2014, Marlene Dumas created a portrait of the renowned singer Marianne Faithfull for the exhibition 'The Image As Burden' at the Stedelijk Museum in Amsterdam. The portrait, named 'Say It In Broken English', received positive acclaim, with Marianne herself attending and performing her song Broken English at the opening. Following its success, the exhibition travelled to Tate Modern in February 2015. The collaboration between Marlene Dumas and Marianne Faithfull reflects a mutual appreciation, demonstrated by Marianne's earlier curation of a show at Tate Liverpool, where Dumas contributed two paintings. This exchange highlights the artistic connection and collaborative spirit shared between the two accomplished figures. * Condition report available upon request
Ewerdt Hilgemann (1938) Relief Structure No. 168 (1972-1974) Signed twice, titled and numbered R 1972/74 nr. 168 on the reverse Unique piece Relief, 60 x 60 cm Provenance: Private collection, the Netherlands * Condition report available upon request
Emo Verkerk (1955) Danilo Kiš (Family Home) (2004) Signed, titled and dated 2004 on the reverse Assemblage (oil, canvas, rattan cane and copper wire on panel), 72.6 x 59.8 x 16.8 cm Provenance: - Livingstone Gallery, The Hague - Private collection, the Netherlands Literature: - Artmagazin 12, 2005, III, issue 6, p. 55 - M Dd #9, Museum Doordacht, 2010, Museum Dhondt-Dhaenens, Deurle, p. 73 Exhibited: - ACB Galeria, Budapest, Emo Verkerk Danilo Kiš és Joseph Roth - Porték, 2 December 2005 - 6 January 2006 - Museum Dhondt-Dhaenens, Deurle, Sophie von Hellerman & Joseph Smith / Emo verkerk / picture this: Marie Cloquet, 25 April - 20 June 2010 Note: Emo Verkerk made his na