DescriptionFlemish School, 17th centuryStudy of the Head of a young man seen in profile
Red chalk on grey paper, the corners cut280 by 250 mmCondition reportFor further information on the condition of this lot please contact Adina.Mukhamejanova@sothebys.com ProvenanceLord Torpichen (?) according to inscription on the former mount;
sale, Pantechnicon Saleroom, London, circa 1955;
sale, London, Sotheby's, The Ralph Holland Collection, 5 July 2013, lot 351LiteratureM. Jaffé, 'Figure drawings attributed to Rubens, Jordaens and Cossiers in the Hamburg Kunsthalle,' Jahrbuch der Hamburger Kunstsammlungen, vol. 16, 1971, reproduced fig. 15 (as Jan Cossiers Catalogue noteJaffé's attribution of this large and accomplished head study to Cossiers is understandable, as there certainly are similarities with the series of exceptional portrait drawings that Cossiers made, mostly of members of his family, around 1658, examples of which are at the Getty, the British Museum, and the Pierpont Morgan Library, and in the Lugt and Van Regteren Altena collections.1 Those drawings are, however, all more fundamentally Rubensian in technique, and the fine, cursive outlines and bold hatching seen here, and also the distinctive use of rather soft red chalk, broadly applied over a light black chalk sketch, signify that this is the work of another hand, not so very far from the world of Rubens, but as yet unidentified. The drawing was also formerly attributed to John Runciman
1. For the fullest recent account, see N. Turner, The J. Paul Getty Museum, European Drawings 4, Los Angeles 2001, under no. 43
DescriptionFlemish School, 17th centuryStudy of the Head of a young man seen in profile
Red chalk on grey paper, the corners cut280 by 250 mmCondition reportFor further information on the condition of this lot please contact Adina.Mukhamejanova@sothebys.com ProvenanceLord Torpichen (?) according to inscription on the former mount;
sale, Pantechnicon Saleroom, London, circa 1955;
sale, London, Sotheby's, The Ralph Holland Collection, 5 July 2013, lot 351LiteratureM. Jaffé, 'Figure drawings attributed to Rubens, Jordaens and Cossiers in the Hamburg Kunsthalle,' Jahrbuch der Hamburger Kunstsammlungen, vol. 16, 1971, reproduced fig. 15 (as Jan Cossiers Catalogue noteJaffé's attribution of this large and accomplished head study to Cossiers is understandable, as there certainly are similarities with the series of exceptional portrait drawings that Cossiers made, mostly of members of his family, around 1658, examples of which are at the Getty, the British Museum, and the Pierpont Morgan Library, and in the Lugt and Van Regteren Altena collections.1 Those drawings are, however, all more fundamentally Rubensian in technique, and the fine, cursive outlines and bold hatching seen here, and also the distinctive use of rather soft red chalk, broadly applied over a light black chalk sketch, signify that this is the work of another hand, not so very far from the world of Rubens, but as yet unidentified. The drawing was also formerly attributed to John Runciman
1. For the fullest recent account, see N. Turner, The J. Paul Getty Museum, European Drawings 4, Los Angeles 2001, under no. 43
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