Fletcher (William Younger). Foreign Bookbindings in the British Museum, London: Kegan Paul, Trench, Trübner & Co. Ltd., 1896, chromolithograph plates, top edge gilt, remainder untrimmed, original cloth, frayed and worn to joints and extremities, some fading, folio (limited edition 325/500), together with: Bayley (Harold), A new light on the Renaissance displayed in contemporary emblems, London: J.M. Dent & Co., 1909, illustrations to text, top edge gilt, remainder untrimmed, contemporary vellum with yapp fore-edges, gilt-blocked emblem to spine and upper cover, spine mottled, large 8vo, Blackburn (Henry), The Art of Illustration, London: W.H. Allen & Co. Ltd., 1894, monochrome frontispiece, plates and illustrations, original two-tone cloth, extremities rubbed, 8vo, McDonnell (Joseph) & Healy (Patrick), Studies in the History of Irish Bookbinding: I. Gold-tooled bookbinding commissioned by Trinity College Dublin in the eighteenth century, 1st edition, Kildare, Ireland: Irish Georgian Society, 1987, colour & monochrome plates, original cloth in dust-jacket, folio, McLean (Ruari), Victorian Publishers' Book-bindings in Paper, 1st edition, London: Gordon Fraser, 1983, colour & monochrome plates and illustrations, original cloth-backed pictorial boards, in glassine dust jacket, large slim 8vo, plus others by Ruari McLean, including Victorian book design and colour printing, 1967; Victorian publishers' book-bindings in cloth and leather, 1974; and Joseph Cundall a Victorian publisher, 1976, together with four other book & bibliography related (Qty: 12)
Fletcher (William Younger). Foreign Bookbindings in the British Museum, London: Kegan Paul, Trench, Trübner & Co. Ltd., 1896, chromolithograph plates, top edge gilt, remainder untrimmed, original cloth, frayed and worn to joints and extremities, some fading, folio (limited edition 325/500), together with: Bayley (Harold), A new light on the Renaissance displayed in contemporary emblems, London: J.M. Dent & Co., 1909, illustrations to text, top edge gilt, remainder untrimmed, contemporary vellum with yapp fore-edges, gilt-blocked emblem to spine and upper cover, spine mottled, large 8vo, Blackburn (Henry), The Art of Illustration, London: W.H. Allen & Co. Ltd., 1894, monochrome frontispiece, plates and illustrations, original two-tone cloth, extremities rubbed, 8vo, McDonnell (Joseph) & Healy (Patrick), Studies in the History of Irish Bookbinding: I. Gold-tooled bookbinding commissioned by Trinity College Dublin in the eighteenth century, 1st edition, Kildare, Ireland: Irish Georgian Society, 1987, colour & monochrome plates, original cloth in dust-jacket, folio, McLean (Ruari), Victorian Publishers' Book-bindings in Paper, 1st edition, London: Gordon Fraser, 1983, colour & monochrome plates and illustrations, original cloth-backed pictorial boards, in glassine dust jacket, large slim 8vo, plus others by Ruari McLean, including Victorian book design and colour printing, 1967; Victorian publishers' book-bindings in cloth and leather, 1974; and Joseph Cundall a Victorian publisher, 1976, together with four other book & bibliography related (Qty: 12)
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