Francesca Woodman Follow Providence, Rhode Island from Space2 1976 Gelatin silver print. 4 5/8 x 4 3/4 in. (11.7 x 12.1 cm) A lifetime print by the artist, signed by George Woodman Executor, in pencil and 'Printed by Francesca Woodman Estate of Francesca Woodman' stamp on the verso.
Provenance Marian Goodman Gallery, New York, 2005 Literature San Francisco Museum of Modern Art, Francesca Woodman , p. 10 Townsend, Francesca Woodman , p. 109 there dated 1977 Catalogue Essay “I finally managed to try to do away with myself, as neatly and concisely as possible." Francesca Woodman Read More Artist Bio Francesca Woodman American • 1958 - 1981 Follow During her brief 22 years, Francesca Woodman created an extraordinary body of work, exploring gender, selfhood and the body in relation to its surroundings. Woodman often experimented with a slow shutter speed, which slightly blurred and distorted her body as it moved throughout the exposure, creating a haunting, almost ghost-like effect. Her ethereal presence draws our attention to traditional depictions of the body, forms of portraiture and self-portraiture, illuminating the desire for self-preservation against the passing of time. View More Works
Francesca Woodman Follow Providence, Rhode Island from Space2 1976 Gelatin silver print. 4 5/8 x 4 3/4 in. (11.7 x 12.1 cm) A lifetime print by the artist, signed by George Woodman Executor, in pencil and 'Printed by Francesca Woodman Estate of Francesca Woodman' stamp on the verso.
Provenance Marian Goodman Gallery, New York, 2005 Literature San Francisco Museum of Modern Art, Francesca Woodman , p. 10 Townsend, Francesca Woodman , p. 109 there dated 1977 Catalogue Essay “I finally managed to try to do away with myself, as neatly and concisely as possible." Francesca Woodman Read More Artist Bio Francesca Woodman American • 1958 - 1981 Follow During her brief 22 years, Francesca Woodman created an extraordinary body of work, exploring gender, selfhood and the body in relation to its surroundings. Woodman often experimented with a slow shutter speed, which slightly blurred and distorted her body as it moved throughout the exposure, creating a haunting, almost ghost-like effect. Her ethereal presence draws our attention to traditional depictions of the body, forms of portraiture and self-portraiture, illuminating the desire for self-preservation against the passing of time. View More Works
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