Beschreibung:

Freddie Mercury’s two-tone platform boots, extensively worn in late 1972-1973
A pair of early 1970s two-tone black and white leather calf-length platform boots by Alan Mair, with square toe, brown stacked wood heels (6.5 cm. high), brown leather lining, the right boot with the outer upper of black leather, the inner of white, with white platform, the left boot with opposing arrangement, leather soles, inside leg zip fastening, unlabelled, no size present, much worn, the white leather has traces of old whitening once applied
Freddie Mercury is photographed by Mick Rock wearing these or an identical pair of boots when performing with Queen in the black and white asymmetrical outfit (see lot 38) on stage at the notable Imperial College Concert on either 26 October or 2 November 1973. They were also worn with other outfits during this period. A polaroid group shot of Queen from Freddie’s personal collection in lot 60 shows these boots backstage resting on the floor beside Roger Taylor’s chair, prior to being worn by Freddie with his asymmetrical black and white stage suit.
The heavy signs of wear on these boots indicates that they were a favourite Freddie’s worn both on and off stage.
“I don’t know if you realise, but you’re not considered cool unless you’re wearing Alan Mair boots.” This is how Alan Mair recalls Freddie praising his footware when both men were working in fashion in Kensington Market in the very early 1970s. The two men's lives were closely entwined for several years - Mercury even worked at Mair's boutique - so it is fitting that Freddie's favourite boots came from Mair's workship. Although these platform boots are unmarked, they can be identified as handmade Alan Mair leather boots by their distinctive style.
Alan Mair, a 1960s beat musician from Glasgow, moved into the fashion industry in the late 1960s, opening a stall in Kensington market in 1970. In a recent interview Mair recalled that “I knew a lot of bands so I started making clothes for them.” Mair initially sold leather trousers, then fringed jackets and outfits for men and women, before specialising in handmade leather boots. Mair cornered the market with his shoe and boot designs in the early 1970s and Alan Mair Boots became synonymous with hip fashionistas supplying everyone from Santana, Yes, The Rolling Stones, Deep Purple, Keith Moon, Alex Harvey to David Bowie and Queen. Mair recalled: “One of the best adverts was the Santana double-gate sleeve [1972]. The whole band are sat on this couch and wearing my boots. Early shots of Queen were the same.” 
Mair recounts how in 1970 burgeoning musicians Freddie Mercury and Roger Taylor had their clothes stall opposite his own Kensington market boutique. Freddie told him that he’d been to a party recently where everyone, men, and women, were wearing the boots. Soon afterwards Mair was looking for someone to manage his Kensington store (as Mair's business grew, he could no longer focus on his shop himself) so he called on Freddie to oversee the running of his main boutique. Mair’s store was far busier than Freddie’s own clothes emporium, and now Roger Taylor had moved on from their business Freddie decided to close his own shop down and become Mair’s full-time shop manager.
Mair described Freddie as a good salesman, very quiet and easy going, likeable and modest about his own songwriting career. It was whilst working in the store that Freddie met David Bowie for the first time in 1972 shortly after the release of Ziggy Stardust. Despite the record’s success, Bowie was still very hard up and when he visited the store Alan Mair recalls asking Freddie to fit Bowie with a pair of platform boots for free as Bowie couldn’t afford to buy them himself. Freddie worked in the Alan Mair Boot store between circa 1970 until the release of Queen’s first hit, 'Seven Seas Of Rhye', on 23 February 1974, his wages providing his main source of income before Queen’s commercial success.
The characteristics of the Alan Mair boot are: square toed, with double leather soles and a stacked heel. Famous for their platform boots in particular, Alan Mair’s boots had anything between half an inch to 2-inch platforms. When they did a three-layer sole the middle one was a different colour. For the soles a heavy adhesive was used rather than stitching.
LITERATUREPhil Sutcliffe, Queen: The Ultimate Illustrated History Of The Crown Kings Of Rock, Voyageur Press, 2009, illus. p.28Mick Rock & Queen, Killer Queen, The Official Limited Edition, Genesis Publications, 2003, illus. pp.11,15 & 26David McLean, ‘The Glasgow Bootmaker Who Ordered Freddie Mercury To Fit David Bowie With A Pair Of Platforms’,, Glasgow Live, 27 March 2022‘When Freddie Mercury Sold Boots at Kensington Market’ Interview with Alan Mair and Tom Semioli, 25 March, 2020 on You Tube‘Alan Mair: Bootmaker To The Stars’, Ops & Ops, 18 August 2019Jacky Smith & Jim Jenkins, Queen As It Began, Omnibus Press, 2022, pp.82-83
SPECIAL NOTICENo right to reproduce or commercially exploit the copyright or other intellectual propertyor image rights in any lot is included with the sale of the lot (including but not limited tosong lyrics, sketches, drawings and garment designs). Queen Productions Limited, QueenMusic Limited and other rights holders reserve all their rights. No right to exhibit in public or reproduce this lot is included with the sale of this lotwithout the prior written consent of Queen Productions Limited, who shall act in good faithto consider any such requests.