George Inness American, 1825-1894 Monastery of Albano, Italy , circa 1872-1875 Oil on panel 9 1/2 x 13 1/8 inches Provenance: (with) Kleeman Galleries, New York Christie's, New York, May 31, 1985, Anthony E. Battelle, MA, until 1992 (with) Vose Galleries, Boston, 1986 (with) The Crane Collection, Boston (with) Borghi and Co., New York, 1992 Sotheby's, New York, Mar. 11, 1992, as Monastery of Albano , 10 x 13 1/4 in. (with) David Findlay Jr., Inc., New York Private Collection, New York Exhibited: New York, Borghi and Co., George Inness The Spiritual Landscape , 1992, no. 22, illus. in cat. Literature: Michael Quick, George Inness A Catalogue Raisonne, Vol. I, 1841-1979 , Rutgers University Press, New Brunswick, NJ and London, 2007, p. 460, illus., no. 509 C Property from a Distinguished New York Collection
The original thin wood panel has be cradled for additional support. The panel has a series of repaired and stable splits that run vertically. There is careful inpainting along these lines. Frame rub at the edges. Plaster from the frame has transfered to the panel at the edges, under the rabbet.
George Inness American, 1825-1894 Monastery of Albano, Italy , circa 1872-1875 Oil on panel 9 1/2 x 13 1/8 inches Provenance: (with) Kleeman Galleries, New York Christie's, New York, May 31, 1985, Anthony E. Battelle, MA, until 1992 (with) Vose Galleries, Boston, 1986 (with) The Crane Collection, Boston (with) Borghi and Co., New York, 1992 Sotheby's, New York, Mar. 11, 1992, as Monastery of Albano , 10 x 13 1/4 in. (with) David Findlay Jr., Inc., New York Private Collection, New York Exhibited: New York, Borghi and Co., George Inness The Spiritual Landscape , 1992, no. 22, illus. in cat. Literature: Michael Quick, George Inness A Catalogue Raisonne, Vol. I, 1841-1979 , Rutgers University Press, New Brunswick, NJ and London, 2007, p. 460, illus., no. 509 C Property from a Distinguished New York Collection
The original thin wood panel has be cradled for additional support. The panel has a series of repaired and stable splits that run vertically. There is careful inpainting along these lines. Frame rub at the edges. Plaster from the frame has transfered to the panel at the edges, under the rabbet.
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