Gill (Eric) Christianity and Art, number 180 of 200 copies signed by the author and artist, wood-engraved frontispiece by David Jones and 2 small wood-engravings by Gill, original blue buckram, uncut, spine faded, small mark to lower cover, 8vo, Capel-y-ffin, Abergavenny, printed by the Shakespeare Head Press of Stratford-upon-Avon for Francis Walterson, 1927; with 2 sheets of galley proofs for The Lord's Song by Gill with corrections in pencil and ink, some in Gill's hand, folded, Golden Cockerel Press, [c.1934]; and 2 mounted wood-engravings by Gill (Nativity & Crucifixion) from Cleverdon's 1929 Engravings by Eric Gill (4) ⁂ The first was the only book issued to be signed by both Gill and David Jones The galley proofs are set in a different type to that used in the published book, the corrections are mostly for typos and instances of poor printing.
Gill (Eric) Christianity and Art, number 180 of 200 copies signed by the author and artist, wood-engraved frontispiece by David Jones and 2 small wood-engravings by Gill, original blue buckram, uncut, spine faded, small mark to lower cover, 8vo, Capel-y-ffin, Abergavenny, printed by the Shakespeare Head Press of Stratford-upon-Avon for Francis Walterson, 1927; with 2 sheets of galley proofs for The Lord's Song by Gill with corrections in pencil and ink, some in Gill's hand, folded, Golden Cockerel Press, [c.1934]; and 2 mounted wood-engravings by Gill (Nativity & Crucifixion) from Cleverdon's 1929 Engravings by Eric Gill (4) ⁂ The first was the only book issued to be signed by both Gill and David Jones The galley proofs are set in a different type to that used in the published book, the corrections are mostly for typos and instances of poor printing.
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