Gill (Eric) Id quod visum placet: A practical test of the beautiful, number 16 of 150 copies signed by the author, 2 engraved plates by Gill, bookplate of Peter Summers, original cloth-backed boards, paper label on upper cover, slightly faded at edges, 1926; Christianity and Art, one of 200 copies signed by the author but not by the artist (164 crossed out in ink by Gill & renumbered "170 EG"), wood-engraved frontispiece by David Jones Capel-y-Ffin, Abergavenny, Francis Walterson, printed at the Shakespeare Head Press, 1927; Art & Prudence, 2 engraved plates by Gill, 1928; Clothing Without Cloth: An Essay on the Nude, 4 wood-engraved plates by Gill, 1931; The Lord's Song, wood-engraved frontispiece by Gill, 1934, the last three each one of 500 copies, all but the first original buckram, all uncut, some a little mottled and spines faded, tall narrow 8vo, all but the second Golden Cockerel Press, most Waltham St.Lawrence (5)
Gill (Eric) Id quod visum placet: A practical test of the beautiful, number 16 of 150 copies signed by the author, 2 engraved plates by Gill, bookplate of Peter Summers, original cloth-backed boards, paper label on upper cover, slightly faded at edges, 1926; Christianity and Art, one of 200 copies signed by the author but not by the artist (164 crossed out in ink by Gill & renumbered "170 EG"), wood-engraved frontispiece by David Jones Capel-y-Ffin, Abergavenny, Francis Walterson, printed at the Shakespeare Head Press, 1927; Art & Prudence, 2 engraved plates by Gill, 1928; Clothing Without Cloth: An Essay on the Nude, 4 wood-engraved plates by Gill, 1931; The Lord's Song, wood-engraved frontispiece by Gill, 1934, the last three each one of 500 copies, all but the first original buckram, all uncut, some a little mottled and spines faded, tall narrow 8vo, all but the second Golden Cockerel Press, most Waltham St.Lawrence (5)
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