A collection of 16 screenplays including Butch Cassidy, Marathon Man and All the President's Men.
Screenplays are: The Moving Target. [later produced as Harper ] . June 9, 1965. Warner Bros. binder. revised final draft. [With:] Butch Cassidy and the Sundance Kid. July, 15, 1968. In blue 20th Century Fox binder. final draft . [And:] The Hot Rock. February 11, 1971. 20th Century Fox binder. first draft. [And:] The Great Waldo Pepper. June, 1972. In titled blue binder. first draft. [And:] Another Copy [draft unspecified]. Without binder. [And:] Magic. New York, 1977. Without binder. [ And:] Charlie [later produced as Chaplin and directed by Richard Attenborough]. September, 1991. Plain binder. [And:] Marathon Man. February, 1975. Titled red binder. second draft. [ And:] All the President’s Men. August 13, 1974. In brown covers with printed title. first draft [And;] Another copy. September 25, 1974. Black binder. second draft . [And:] 5 other apparently unproduced works. All photocopies of typescipts, 8 1/2 x 11 inches, recto only. goldman writes to ross macdonald Typed letter signed to Kenneth Millar [“Ross MacDonald”] on his pleasure that his review of “The Goodbye Look” was on the fron page of the New York Times Book Review. N.p.: June 9, 1969. on personal stationery. “For one blinding day the establishment had allowed my existence, and for that I owe you thanks…” With another TLS from Goldman to Millar (November, 1973) thanking him for his warm review of Goldman’s The Princess Bride. a wonderful collection featuring one of the most important screenwriters from a pivotal age in american film.
A collection of 16 screenplays including Butch Cassidy, Marathon Man and All the President's Men.
Screenplays are: The Moving Target. [later produced as Harper ] . June 9, 1965. Warner Bros. binder. revised final draft. [With:] Butch Cassidy and the Sundance Kid. July, 15, 1968. In blue 20th Century Fox binder. final draft . [And:] The Hot Rock. February 11, 1971. 20th Century Fox binder. first draft. [And:] The Great Waldo Pepper. June, 1972. In titled blue binder. first draft. [And:] Another Copy [draft unspecified]. Without binder. [And:] Magic. New York, 1977. Without binder. [ And:] Charlie [later produced as Chaplin and directed by Richard Attenborough]. September, 1991. Plain binder. [And:] Marathon Man. February, 1975. Titled red binder. second draft. [ And:] All the President’s Men. August 13, 1974. In brown covers with printed title. first draft [And;] Another copy. September 25, 1974. Black binder. second draft . [And:] 5 other apparently unproduced works. All photocopies of typescipts, 8 1/2 x 11 inches, recto only. goldman writes to ross macdonald Typed letter signed to Kenneth Millar [“Ross MacDonald”] on his pleasure that his review of “The Goodbye Look” was on the fron page of the New York Times Book Review. N.p.: June 9, 1969. on personal stationery. “For one blinding day the establishment had allowed my existence, and for that I owe you thanks…” With another TLS from Goldman to Millar (November, 1973) thanking him for his warm review of Goldman’s The Princess Bride. a wonderful collection featuring one of the most important screenwriters from a pivotal age in american film.
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