Grayson Perry RA Study for The Great Beauty (1), 2022 Ink on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About Perry studied at Braintree College of Further Education from 1978 to 1979 and graduated from Portsmouth Polytechnic in 1982. He was awarded the Turner Prize in 2003. He works in a variety of mediums but is best known as a ceramicist. There is a dissonance between the conventional forms of his vessels and the depictions that adorn them. He uses imagery and text to chronicle social concerns, his own formative experiences and to tell the story of his alter ego, Claire. The tone of his narratives is psychologically complex and often caustic. Although he uses traditional methods to make his pots, he employs a range of techniques, such as embossing and photographic transfers, to create intricate, animated surfaces. Select Exhibitions/Awards Recent solo exhibitions 2018 Grayson Perry KIASMA, Helskinki; touring to Monnaie de Paris, Paris Grayson Perry Making Meaning, The Gallery at Windsor, Vero Beach, Florida The Vanity of Small Differences, Royal Hibernian Academy, Dublin 2017 The Most Popular Art Exhibition Ever!, Serpentine Gallery, London; touring to Arnolfini, Bristol Making Himself Claire: Grayson Perry's Dresses, Walker Art Gallery, Liverpool Grayson Perry The Life of Julie Cope, Firstsite Gallery, Colchester 2016 Hold Your Beliefs Lightly, Bonnefantenmuseum, Maastricht; touring to ARoS Aarhus Art Museum, Aarhus 2015 Provincial Punk, Turner Contemporary, Margate Small Differences, Pera Museum, Istanbul My Pretty Little Art Career, Museum of Contemporary Art, Sydney 2014 Who Are You?, National Portrait Gallery, London Walthamstow Tapestry, Winchester Discovery Centre Selected collections Arts Council Collection Birmingham Museums & Art Gallery Brighton & Hove Museums British Council Collection The British Library (Map Library) British Museum Chelmsford Museum Crafts Council Gallery of Modern Art, Glasgow Government Art Collection House of Commons Collection Leeds Museums and Galleries (City Art Gallery) Manchester City Galleries Museum of Art, Rhode Island School of Design The Museum of Fine Arts, Houston, Texas The Museum of Modern Art, New York Stedelijk Museum, Amsterdam Tate, London Victoria & Albert Museum, London Yale Center for British Art, New Haven, Connecticut Awards 2017 Royal Television Society Programme Award (Best Presenter and Best Arts Programme) Evening Standard Contemporary Art Prize Grierson Award (Best Presenter) 2016 Political Studies Association Award RIBA Honorary Fellowship GQ Men / Writer of the Year Award 2015 Chancellor of the University of the Arts, London Trustee of the British Museum BAFTA (Best Specialist Factual) 2013 BAFTA (Best Specialist Factual) Commander of the Order of the British Empire (CBE) 2003 Turner Prize winner Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
Grayson Perry RA Study for The Great Beauty (1), 2022 Ink on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About Perry studied at Braintree College of Further Education from 1978 to 1979 and graduated from Portsmouth Polytechnic in 1982. He was awarded the Turner Prize in 2003. He works in a variety of mediums but is best known as a ceramicist. There is a dissonance between the conventional forms of his vessels and the depictions that adorn them. He uses imagery and text to chronicle social concerns, his own formative experiences and to tell the story of his alter ego, Claire. The tone of his narratives is psychologically complex and often caustic. Although he uses traditional methods to make his pots, he employs a range of techniques, such as embossing and photographic transfers, to create intricate, animated surfaces. Select Exhibitions/Awards Recent solo exhibitions 2018 Grayson Perry KIASMA, Helskinki; touring to Monnaie de Paris, Paris Grayson Perry Making Meaning, The Gallery at Windsor, Vero Beach, Florida The Vanity of Small Differences, Royal Hibernian Academy, Dublin 2017 The Most Popular Art Exhibition Ever!, Serpentine Gallery, London; touring to Arnolfini, Bristol Making Himself Claire: Grayson Perry's Dresses, Walker Art Gallery, Liverpool Grayson Perry The Life of Julie Cope, Firstsite Gallery, Colchester 2016 Hold Your Beliefs Lightly, Bonnefantenmuseum, Maastricht; touring to ARoS Aarhus Art Museum, Aarhus 2015 Provincial Punk, Turner Contemporary, Margate Small Differences, Pera Museum, Istanbul My Pretty Little Art Career, Museum of Contemporary Art, Sydney 2014 Who Are You?, National Portrait Gallery, London Walthamstow Tapestry, Winchester Discovery Centre Selected collections Arts Council Collection Birmingham Museums & Art Gallery Brighton & Hove Museums British Council Collection The British Library (Map Library) British Museum Chelmsford Museum Crafts Council Gallery of Modern Art, Glasgow Government Art Collection House of Commons Collection Leeds Museums and Galleries (City Art Gallery) Manchester City Galleries Museum of Art, Rhode Island School of Design The Museum of Fine Arts, Houston, Texas The Museum of Modern Art, New York Stedelijk Museum, Amsterdam Tate, London Victoria & Albert Museum, London Yale Center for British Art, New Haven, Connecticut Awards 2017 Royal Television Society Programme Award (Best Presenter and Best Arts Programme) Evening Standard Contemporary Art Prize Grierson Award (Best Presenter) 2016 Political Studies Association Award RIBA Honorary Fellowship GQ Men / Writer of the Year Award 2015 Chancellor of the University of the Arts, London Trustee of the British Museum BAFTA (Best Specialist Factual) 2013 BAFTA (Best Specialist Factual) Commander of the Order of the British Empire (CBE) 2003 Turner Prize winner Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
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