Hoare (Prince, editor) The Artist; a Collection of Essays, relative to painting, poetry, sculpture, architecture, the drama, discoveries of science..., No.I-XXI bound in 1 vol., half-title, foxing to last issue, bookplate of Thomas Munro contemporary half calf, spine gilt, rubbed, spine with red roan label, March-August 1807 § Longinus (Dionysius) On the Sublime, translated by William Smith fourth edition, advertisement leaf, engraved frontispiece (browned), bookplate of Joseph Berens, contemporary sheep, rebacked, 1770 § Quatremere de Quincy (A.C.) Considérations Morales sur le Destination des Ouvrages de l'Art, half-title (lightly water-stained), spotting, modern calf-backed boards, Paris, 1815 § Histoire des Beaux-Arts, half-title, frontispiece and 6 plates, foxed, contemporary calf, gilt, spine faded, Paris, 1843, rubbed, 4to & 8vo (4)
Hoare (Prince, editor) The Artist; a Collection of Essays, relative to painting, poetry, sculpture, architecture, the drama, discoveries of science..., No.I-XXI bound in 1 vol., half-title, foxing to last issue, bookplate of Thomas Munro contemporary half calf, spine gilt, rubbed, spine with red roan label, March-August 1807 § Longinus (Dionysius) On the Sublime, translated by William Smith fourth edition, advertisement leaf, engraved frontispiece (browned), bookplate of Joseph Berens, contemporary sheep, rebacked, 1770 § Quatremere de Quincy (A.C.) Considérations Morales sur le Destination des Ouvrages de l'Art, half-title (lightly water-stained), spotting, modern calf-backed boards, Paris, 1815 § Histoire des Beaux-Arts, half-title, frontispiece and 6 plates, foxed, contemporary calf, gilt, spine faded, Paris, 1843, rubbed, 4to & 8vo (4)
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