Jacques Callot (1592-1635)
La Petite Passion (Lieure 537-548)
Jacques Callot (1592-1635) La Petite Passion (Lieure 537-548) the complete set of twelve etchings, 1624, fine impressions, mainly first states (of two and three), a uniform set, trimmed on or to the platemark, in very good condition; with Les Grandes Misères de la Guerre (L. 1339-49; 1351-56), seventeen etchings from the complete set of eighteen, 1633, missing plate 11 (L. 1350), many with a Posthorn watermark, very good impressions of the second and third states (with numbers), trimmed to or on the platemark, one with wider margins, some sheets with minor defects; and La Grande Passion (L. 281-287), the complete, unfinished series of seven etchings, 1618; Les Penitents (L. 1315-1319), the complete, unfinished set of five etchings, without the frontispiece by A. Bosse; Le Colombier (L. 265) and Le Moulin à Eau (L. 266); Four Seasons, in the manner of Callot , the set of four etchings, good impressions, with small margins, P., S. 63 x 41 mm.; with three plates from Et Pace et Bello by Stefano della Bella (de V. 264-266) P., S. 76 x 58 mm. (and similar) (50)
Jacques Callot (1592-1635)
La Petite Passion (Lieure 537-548)
Jacques Callot (1592-1635) La Petite Passion (Lieure 537-548) the complete set of twelve etchings, 1624, fine impressions, mainly first states (of two and three), a uniform set, trimmed on or to the platemark, in very good condition; with Les Grandes Misères de la Guerre (L. 1339-49; 1351-56), seventeen etchings from the complete set of eighteen, 1633, missing plate 11 (L. 1350), many with a Posthorn watermark, very good impressions of the second and third states (with numbers), trimmed to or on the platemark, one with wider margins, some sheets with minor defects; and La Grande Passion (L. 281-287), the complete, unfinished series of seven etchings, 1618; Les Penitents (L. 1315-1319), the complete, unfinished set of five etchings, without the frontispiece by A. Bosse; Le Colombier (L. 265) and Le Moulin à Eau (L. 266); Four Seasons, in the manner of Callot , the set of four etchings, good impressions, with small margins, P., S. 63 x 41 mm.; with three plates from Et Pace et Bello by Stefano della Bella (de V. 264-266) P., S. 76 x 58 mm. (and similar) (50)
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