Beschreibung:

Details
JOOS VAN CLEVE (?CLEVE 1485-1540 ANTWERP)
The Madonna of the Cherries
oil on panel, in a tabernacle frame
30 1/2 x 23 3/8 in. (77.5 x 59.2 cm.)
Provenance
Charles Scarisbrick, Scarisbrick Hall, Lancashire.
Sir Herbert Naylor-Leyland, Welshpool, Wales, and by descent.
with Frank T. Sabin, London, by 1927.
Helen J. Dunlop, Philadelphia.
B. Feuerstein, Philadelphia.
with Schuster Inc., New Jersey, by May 1967.
[The Property of a Gentleman]; Christie's, London, 12 December 1980, lot 73, as 'Joos van Cleve and Workshop'.
[The Property of a Gentleman]; Christie's, London, 10 December 1982, lot 12, as 'Joos van Cleve and Workshop'.
with Colnaghi, London and New York, by 1983.
with Heim Gallery, Ltd., London, until June 1987,
Acquired by Ann and Gordon Getty from the above.
Literature
M.J. Friedländer, Die Altniederlädische Malerei, IX, Joos van Cleve Jan Provost, Joachim Patenir, Leiden, 1934, p. 157, no. 63d, among replicas.
The Connoisseur, CLXV, 1967, advertisement, illustrated.
M. Friedländer, Early Netherlandish Painting, IXa, Joos van Cleve Jan Provost, Joachim Patenir, Leyden and Brussels, 1972, p. 63, no. 63d, as ‘J. van Cleve, copy’.
J.O. Hand, Joos Van Cleve The Complete Paintings, New Haven and London, 2004, p. 189, no. 112.26, as 'Workshop of Joos; present location unknown'.
M. Leeflang, Joos van Cleve A Sixteenth-Century Antwerp Artist and his Workshop, Turnhout, 2015, p. 193, note 75.
Exhibited
York, Colnaghi Gallery and Alexander Gallery, The Northern Renaissance: 15th and 16th century Netherlandish paintings: an exhibition in association with Alexander Gallery, New York, 6 April-14 May, 1983, no. 3.