Property of various ownersKIKUGAWA EIZAN (1787-1867)Three woodblock prints Edo period (1615-1868), circa 1811-1814 Oban tate-e prints including: Hira bosetsu (Twilight Snow at Mount Hira), from the series Furyu bijin Omi hakkei (Fashionable Beauties for the Eight Views of Omi), signed Eizan hitsu, published by Sanoya Kihei; Toi no Tamagawa (The Cloth-fulling Jewel River), from the series Furyu Mutamagawa (Fashionable Six Jewel Rivers), signed Kikugawa Eizan hitsu, published by Yamaguchi Tobei; a beauty combing a child's topknot from the series Bijin ko-dakara awase (Comparison of Beauties and Precious Children), signed Kikugawa Eizan hitsu, published by Moriya Jihei (3) 15 1/8 x 10 1/8in (38.4 x 25.7cm) the first two, approximately; 13 3/4 x 9 1/8in (34.9 x 23.2cm), the third
Property of various ownersKIKUGAWA EIZAN (1787-1867)Three woodblock prints Edo period (1615-1868), circa 1811-1814 Oban tate-e prints including: Hira bosetsu (Twilight Snow at Mount Hira), from the series Furyu bijin Omi hakkei (Fashionable Beauties for the Eight Views of Omi), signed Eizan hitsu, published by Sanoya Kihei; Toi no Tamagawa (The Cloth-fulling Jewel River), from the series Furyu Mutamagawa (Fashionable Six Jewel Rivers), signed Kikugawa Eizan hitsu, published by Yamaguchi Tobei; a beauty combing a child's topknot from the series Bijin ko-dakara awase (Comparison of Beauties and Precious Children), signed Kikugawa Eizan hitsu, published by Moriya Jihei (3) 15 1/8 x 10 1/8in (38.4 x 25.7cm) the first two, approximately; 13 3/4 x 9 1/8in (34.9 x 23.2cm), the third
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