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Auktionsarchiv: Los-Nr. 25

MIRKA MORA (1928-2018) Curlews in the

Schätzpreis
35.000 AU$ - 45.000 AU$
ca. 25.379 $ - 32.631 $
Zuschlagspreis:
160.000 AU$
ca. 116.021 $
Auktionsarchiv: Los-Nr. 25

MIRKA MORA (1928-2018) Curlews in the

Schätzpreis
35.000 AU$ - 45.000 AU$
ca. 25.379 $ - 32.631 $
Zuschlagspreis:
160.000 AU$
ca. 116.021 $
Beschreibung:

MIRKA MORA (1928-2018) Curlews in the Garden 1980 wool, cotton and lurex tapestry woven signature and date lower right: MIRKA.80. woven Victorian Tapestry Workshop insignia lower right woven by Sara Lindsay, Irja West, Cheryl Thornton, and Ilona Fornalski 176 x 241cm PROVENANCE: The Victorian Tapestry Workshop, Melbourne (tapestry no. 80/6) The National Australia Bank Art Collection EXHIBITIONS: The Seventies: Australian Paintings and Tapestries From the Collection of National Australia Bank, National Gallery of Victoria, Melbourne, 15 October - 28 November 1982 LITERATURE: Lindsay, R. (ed.), The Seventies: Australian Paintings and Tapestries From the Collection of National Australia Bank, The National Bank of Australasia, Melbourne, 1982, p. 124 (illus.) Walker, S., Artists' Tapestries From Australia 1976-2005, The Beagle Press, Sydney, 2007, p. 92 (illus.) Cotte, S., Art in the Making: Mirka Mora's Techniques and Materials, and Their Meaning in Conservation, University of Melbourne Dissertation, Melbourne, September 2016, p. 184 "For the National Bank I wanted to mix the wool with silver and silk and gold. So I wasn't very popular because it became more expensive, but it was made." (Mirka Mora 1984) In a letter from Sue Walker (then director of the Victorian Tapestry Workshop) to C. Abbott (from the National Bank of Australia) in 1980, she reaffirms "Mirka has been to the workshop to discuss the design with the weavers and we are all greatly excited by the rich and decorative possibilities it presents for tapestry (…) after talking with Mr. Mora about the cost of this tapestry we realise that the next tapestry will need to be of a less complex nature". Estimate $35,000-45,000 Condition: Please contact us directly for a condition report on this lot. The opinions expressed in the condition reports are a guide only and should not be treated as a statement of fact. Prospective buyers are encouraged to physically inspect item, or book a virtual viewing or request further images during our pre-sale period where Leonard Joel staff are available for advice. Please note condition reports can be amended during the pre-sale period, so we strongly suggest any interested bidders check the published condition report available on the website before the auction commences. Leonard Joel makes no guarantee of the originality of mechanical or applied components. Absence of reference to such modifications does not imply that a lot is free from modifications. Absentee bid Telephone bid Bid on Multiple Lots Bid Live Online Request a condition report

Auktionsarchiv: Los-Nr. 25
Auktion:
Datum:
23.02.2022
Auktionshaus:
Leonard Joel
333 Malvern Road
South Yarra, 3141 Melbourne, Victoria
Australien
info@leonardjoel.com.au
+61 (0)3 9826 4333
+61 (0)3 9826 4544
Beschreibung:

MIRKA MORA (1928-2018) Curlews in the Garden 1980 wool, cotton and lurex tapestry woven signature and date lower right: MIRKA.80. woven Victorian Tapestry Workshop insignia lower right woven by Sara Lindsay, Irja West, Cheryl Thornton, and Ilona Fornalski 176 x 241cm PROVENANCE: The Victorian Tapestry Workshop, Melbourne (tapestry no. 80/6) The National Australia Bank Art Collection EXHIBITIONS: The Seventies: Australian Paintings and Tapestries From the Collection of National Australia Bank, National Gallery of Victoria, Melbourne, 15 October - 28 November 1982 LITERATURE: Lindsay, R. (ed.), The Seventies: Australian Paintings and Tapestries From the Collection of National Australia Bank, The National Bank of Australasia, Melbourne, 1982, p. 124 (illus.) Walker, S., Artists' Tapestries From Australia 1976-2005, The Beagle Press, Sydney, 2007, p. 92 (illus.) Cotte, S., Art in the Making: Mirka Mora's Techniques and Materials, and Their Meaning in Conservation, University of Melbourne Dissertation, Melbourne, September 2016, p. 184 "For the National Bank I wanted to mix the wool with silver and silk and gold. So I wasn't very popular because it became more expensive, but it was made." (Mirka Mora 1984) In a letter from Sue Walker (then director of the Victorian Tapestry Workshop) to C. Abbott (from the National Bank of Australia) in 1980, she reaffirms "Mirka has been to the workshop to discuss the design with the weavers and we are all greatly excited by the rich and decorative possibilities it presents for tapestry (…) after talking with Mr. Mora about the cost of this tapestry we realise that the next tapestry will need to be of a less complex nature". Estimate $35,000-45,000 Condition: Please contact us directly for a condition report on this lot. The opinions expressed in the condition reports are a guide only and should not be treated as a statement of fact. Prospective buyers are encouraged to physically inspect item, or book a virtual viewing or request further images during our pre-sale period where Leonard Joel staff are available for advice. Please note condition reports can be amended during the pre-sale period, so we strongly suggest any interested bidders check the published condition report available on the website before the auction commences. Leonard Joel makes no guarantee of the originality of mechanical or applied components. Absence of reference to such modifications does not imply that a lot is free from modifications. Absentee bid Telephone bid Bid on Multiple Lots Bid Live Online Request a condition report

Auktionsarchiv: Los-Nr. 25
Auktion:
Datum:
23.02.2022
Auktionshaus:
Leonard Joel
333 Malvern Road
South Yarra, 3141 Melbourne, Victoria
Australien
info@leonardjoel.com.au
+61 (0)3 9826 4333
+61 (0)3 9826 4544
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