Mishneh Torah, Moses ben Maimon (Maimonides), Venice: Meir Parenzo for Alvise Bragadini, 1574–1575 Fourteen parts in four volumes (11 ½ x 8 in.; 292 x 204 mm). Four title pages, each with Bragadin’s device of Three Crowns, Meir Parenzo’s device of Venus and the Dragon on verso, and following the Table of Contents (the late) Asher Parenzo’s device of a Mountain rising from the Sea; text illustrations. Lightly browned and stained in places, few leaves neatly remargined; ownership notes and stamps on title pages and final leaves, occasionally elsewhere. Censors’ notations on final leaf of vol I (Domenico Irosolimitano, 1592), and title pages of vols II-IV (Alexander Montisregalis, 1591).Final volume includes the first edition of the alphabetical index compiled by the school of Barukh Uziel and final leaf with a poem in honor of one of Karo’s disciples, Abraham Hayug; foliation: Vol. I: ff. (22), 316. Paper repairs to inner margin and lower corner of title, last three leaves remargined; vol. II: ff. (10) 219 (i.e. 218); vol. III: ff. (20),451 (1); four lengthy, extensive full-page marginal notes in a 17th century Italian hand; vol. IV: ff. (10), 297, (9). Modern uniform blind tooled morocco. .
Mishneh Torah, Moses ben Maimon (Maimonides), Venice: Meir Parenzo for Alvise Bragadini, 1574–1575 Fourteen parts in four volumes (11 ½ x 8 in.; 292 x 204 mm). Four title pages, each with Bragadin’s device of Three Crowns, Meir Parenzo’s device of Venus and the Dragon on verso, and following the Table of Contents (the late) Asher Parenzo’s device of a Mountain rising from the Sea; text illustrations. Lightly browned and stained in places, few leaves neatly remargined; ownership notes and stamps on title pages and final leaves, occasionally elsewhere. Censors’ notations on final leaf of vol I (Domenico Irosolimitano, 1592), and title pages of vols II-IV (Alexander Montisregalis, 1591).Final volume includes the first edition of the alphabetical index compiled by the school of Barukh Uziel and final leaf with a poem in honor of one of Karo’s disciples, Abraham Hayug; foliation: Vol. I: ff. (22), 316. Paper repairs to inner margin and lower corner of title, last three leaves remargined; vol. II: ff. (10) 219 (i.e. 218); vol. III: ff. (20),451 (1); four lengthy, extensive full-page marginal notes in a 17th century Italian hand; vol. IV: ff. (10), 297, (9). Modern uniform blind tooled morocco. .
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