(MODERN MADE: Modern Art, Design & Studio Ceramics, 14th November 2019) § CHRISTOPHER CHAMBERLAIN (BRITISH 1918-1984) DOCK ENTRANCE, LOTS ROAD, LONDON Signed (lower left), oil on board 44cm x 59.5cm (17.25in x 23.4in) Christopher Chamberlain's studies at the Royal College of Art were interrupted by the outbreak of World War II. He joined the Royal Army Service Corps and served in the British Expeditionary Forces that evacuated Dunkirk in 1940. After the end of the war, he returned to the Royal College before starting a teaching career, notably at Camberwell School of Art. Chamberlain exhibited widely, was respected in the field and was known for his scenes of London. He stated, ‘I have made many studies in this area where I live, in the belief that one must learn thoroughly something about a particular and loosely limited area within one's experience. I don't believe it is possible to make much of a statement about anything unless one knows one's subject very well indeed’ (letter of 3 April 1955). His work is held in the Tate Collections (The Dangerous Corner, 1954), Royal Academy (Liverpool: America Dock, 1957) and Swindon Art Gallery (Vauxhall Bridge Station, 1955). Provenance: Estate of the Artist.
(MODERN MADE: Modern Art, Design & Studio Ceramics, 14th November 2019) § CHRISTOPHER CHAMBERLAIN (BRITISH 1918-1984) DOCK ENTRANCE, LOTS ROAD, LONDON Signed (lower left), oil on board 44cm x 59.5cm (17.25in x 23.4in) Christopher Chamberlain's studies at the Royal College of Art were interrupted by the outbreak of World War II. He joined the Royal Army Service Corps and served in the British Expeditionary Forces that evacuated Dunkirk in 1940. After the end of the war, he returned to the Royal College before starting a teaching career, notably at Camberwell School of Art. Chamberlain exhibited widely, was respected in the field and was known for his scenes of London. He stated, ‘I have made many studies in this area where I live, in the belief that one must learn thoroughly something about a particular and loosely limited area within one's experience. I don't believe it is possible to make much of a statement about anything unless one knows one's subject very well indeed’ (letter of 3 April 1955). His work is held in the Tate Collections (The Dangerous Corner, 1954), Royal Academy (Liverpool: America Dock, 1957) and Swindon Art Gallery (Vauxhall Bridge Station, 1955). Provenance: Estate of the Artist.
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