NARAY, Aurel Mother and Child. Ca. 1930-Oil on canvas, x cm, signed at upper left corner "Naray". Under velvet frame. This work of a mother and child can be dated in the 1930s, when Naray developed a typology of seated Madonnas based on Renaissance models, which oscillate between the Mythological sphere and his own deeply-rooted Christian devotion. The velvet frame sensitively accentuates the softness of motherhood. Naray's paintings cover the walls of museums in Budapest, Johannesburg, Bombay and St Louis.
NARAY, Aurel Mother and Child. Ca. 1930-Oil on canvas, x cm, signed at upper left corner "Naray". Under velvet frame. This work of a mother and child can be dated in the 1930s, when Naray developed a typology of seated Madonnas based on Renaissance models, which oscillate between the Mythological sphere and his own deeply-rooted Christian devotion. The velvet frame sensitively accentuates the softness of motherhood. Naray's paintings cover the walls of museums in Budapest, Johannesburg, Bombay and St Louis.
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