Noelle Phares Green-Washed Boughs, 2022 Acrylic and Gouache on Paper Signed verso 16 x 11cm (6¼ x 4¼ in.) About Noelle Phares brings a fresh perspective into her contemporary landscape paintings through examination of the tension between organic and synthetic. As an environmental scientist by training, she allows the same topics that drove her work in the natural sciences to now guide her creative endeavors. Her body of work combines landscape elements with structural geometry to create fractured architectural landscapes that explore the ever-encroaching presence of humanity into previously pristine open spaces. Noelle exhibits regularly via fine art galleries domestically and internationally and has collaborated with outdoor brands such as Merrell, Wylder Goods, 4FRNT Skis, and Smartwool. She holds a BS in Biochemistry, and an MS in Environmental Science. She has been painting throughout the American West over the last decade, and currently lives and paints full-time out of Denver, Colorado. Education Master of Environmental Science and Management, University of California Santa Barbara, 2014. Bachelor of Science, Biochemistry, University of California Santa Barbara, 2008. Select Exhibitions/Awards 2/2023 (Upcoming): Solo exhibition, Boulder Museum of Contemporary Art - Boulder CO 3/2022: Solo exhibition, Space Gallery - Denver CO 10/ 2021: Solo exhibition, Hancock Gallery - United Kingdom 7/ 2021: Solo exhibition, Harris Harvey Gallery - Seattle WA 3/ 2021: Group exhibition, Western Gallery - Austin TX 10/ 2020: Solo exhibition "Fountainhead", Space Gallery - Denver, CO 2/ 2020: Group exhibition, Western Gallery - Austin TX 9/ 2020: Solo exhibition, Space Gallery - Denver, CO Gallery Representation Space Gallery, Denver CO. Harris Harvey Gallery, Seattle WA. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
Noelle Phares Green-Washed Boughs, 2022 Acrylic and Gouache on Paper Signed verso 16 x 11cm (6¼ x 4¼ in.) About Noelle Phares brings a fresh perspective into her contemporary landscape paintings through examination of the tension between organic and synthetic. As an environmental scientist by training, she allows the same topics that drove her work in the natural sciences to now guide her creative endeavors. Her body of work combines landscape elements with structural geometry to create fractured architectural landscapes that explore the ever-encroaching presence of humanity into previously pristine open spaces. Noelle exhibits regularly via fine art galleries domestically and internationally and has collaborated with outdoor brands such as Merrell, Wylder Goods, 4FRNT Skis, and Smartwool. She holds a BS in Biochemistry, and an MS in Environmental Science. She has been painting throughout the American West over the last decade, and currently lives and paints full-time out of Denver, Colorado. Education Master of Environmental Science and Management, University of California Santa Barbara, 2014. Bachelor of Science, Biochemistry, University of California Santa Barbara, 2008. Select Exhibitions/Awards 2/2023 (Upcoming): Solo exhibition, Boulder Museum of Contemporary Art - Boulder CO 3/2022: Solo exhibition, Space Gallery - Denver CO 10/ 2021: Solo exhibition, Hancock Gallery - United Kingdom 7/ 2021: Solo exhibition, Harris Harvey Gallery - Seattle WA 3/ 2021: Group exhibition, Western Gallery - Austin TX 10/ 2020: Solo exhibition "Fountainhead", Space Gallery - Denver, CO 2/ 2020: Group exhibition, Western Gallery - Austin TX 9/ 2020: Solo exhibition, Space Gallery - Denver, CO Gallery Representation Space Gallery, Denver CO. Harris Harvey Gallery, Seattle WA. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
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