Artist: Patrick Graham (b.1943) Title: Studies From Another Place (2017) Signature: signed top right and dated 2017 Medium: mixed media Size: 80 x 111cm (31.5 x 43.7in) Framed Size: 87.2 x 117.6cm (34.3 x 46.3in) Provenance: Hillsboro Fine Art; Private Collection a#morebtn { color: #de1d01; } a#morebtn:hover { cursor: pointer;} Born in Mullingar, Patrick Graham was an accomplished draughtsman from early on. Though regarded as a star pupil at NCAD he was personally dissatisfied with the received artistic conventions and abandoned art for some time. Only by rejecting orthodoxy did he find his way back, working directly from ... Read more Born in Mullingar, Patrick Graham was an accomplished draughtsman from early on. Though regarded as a star pupil at NCAD he was personally dissatisfied with the received artistic conventions and abandoned art for some time. Only by rejecting orthodoxy did he find his way back, working directly from his own experience and perceptions, devising a mode of reflective, expressive representation that allowed access to the pressing issues of contemporary Ireland. The Captain's Hill that features in this virtuoso portmanteau drawing of recollections and reflections, beyond a self-portrait head to the lower left, is a local landmark from his childhood.
Artist: Patrick Graham (b.1943) Title: Studies From Another Place (2017) Signature: signed top right and dated 2017 Medium: mixed media Size: 80 x 111cm (31.5 x 43.7in) Framed Size: 87.2 x 117.6cm (34.3 x 46.3in) Provenance: Hillsboro Fine Art; Private Collection a#morebtn { color: #de1d01; } a#morebtn:hover { cursor: pointer;} Born in Mullingar, Patrick Graham was an accomplished draughtsman from early on. Though regarded as a star pupil at NCAD he was personally dissatisfied with the received artistic conventions and abandoned art for some time. Only by rejecting orthodoxy did he find his way back, working directly from ... Read more Born in Mullingar, Patrick Graham was an accomplished draughtsman from early on. Though regarded as a star pupil at NCAD he was personally dissatisfied with the received artistic conventions and abandoned art for some time. Only by rejecting orthodoxy did he find his way back, working directly from his own experience and perceptions, devising a mode of reflective, expressive representation that allowed access to the pressing issues of contemporary Ireland. The Captain's Hill that features in this virtuoso portmanteau drawing of recollections and reflections, beyond a self-portrait head to the lower left, is a local landmark from his childhood.
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