Peter Doig Follow Lapeyrouse Wall 2004 Etching and aquatint in colours, on wove paper, with full margins. I. 19.5 x 14.5 cm (7 5/8 x 5 3/4 in.) S. 53.2 x 38.2 cm (20 7/8 x 15 in.) Signed, dated and numbered 28/30 in pencil, published by the artist, unframed.
Artist Bio Peter Doig Scottish • 1959 Follow Peter Doig is widely considered one of the most renowned contemporary figurative painters. Born in Scotland and raised in Trinidad and Canada, Doig achieved his breakthrough in 1991 upon being awarded the prestigious Whitechapel Artist Prize and receiving a solo exhibition at the Whitechapel Art Gallery in London. Doig draws on personal memories and source imagery in his pursuit of exploring the slippage between reality, imagination and memory through painting. The material properties of paint and expressive possibilities of color thereby serve to approximate the foggy, inarticulate sensation of remembering. His practice maintains a thin and balanced line between landscape and figure, superimposing photographic imagery and memories, both real and imagined. View More Works
Peter Doig Follow Lapeyrouse Wall 2004 Etching and aquatint in colours, on wove paper, with full margins. I. 19.5 x 14.5 cm (7 5/8 x 5 3/4 in.) S. 53.2 x 38.2 cm (20 7/8 x 15 in.) Signed, dated and numbered 28/30 in pencil, published by the artist, unframed.
Artist Bio Peter Doig Scottish • 1959 Follow Peter Doig is widely considered one of the most renowned contemporary figurative painters. Born in Scotland and raised in Trinidad and Canada, Doig achieved his breakthrough in 1991 upon being awarded the prestigious Whitechapel Artist Prize and receiving a solo exhibition at the Whitechapel Art Gallery in London. Doig draws on personal memories and source imagery in his pursuit of exploring the slippage between reality, imagination and memory through painting. The material properties of paint and expressive possibilities of color thereby serve to approximate the foggy, inarticulate sensation of remembering. His practice maintains a thin and balanced line between landscape and figure, superimposing photographic imagery and memories, both real and imagined. View More Works
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