comprising: photographs of the artist's studio showing construction of the storyboard for animated hammer walk-cycle; two large sketches in blue pencil of barbed wire, used by artists painting animation cels for background in a scene from 'The Wall' plus test film strip; twenty-five drawings of small hammer walk-cycles; four drawings and copy of forward-walking cycles of hammers; eleven drawings, initial working sketches of animation sequence of hammer walk-cycle; a two-piece preliminary rough sketch of hammers' walk-cycle; seven initial working sketches of animated creature from 'The Wall'; an original cardboard bird model and five sketches used to aid animation for 'The Wall', these being preliminary drawings from which the bird sequence was created; several reels of test film strips; an original storyboard rough for marching hammers animation with two original hammer drawings; a set of eight b/w photographs used for perspective movement for animated hammers; a hammer in display box, with black handle and brick-red shaft, 12½ inches (32cm) long; an unfinished acetate (with drawing) for animation used in concert, 'Animals' tour 1977, being a detailed surface of globe plus test film strips of maze on globe's surface; unfinished prototype acetate for 'Animals' tour, the globe depicted in the sky, plus prototype cels of monolith; tour programme for each of 'Animals' and 'The Wall', with one ticket for Wembley, 17th March 1977 and four for Earls Court, 17th June 1981; and a collection of carbon copies of invoices from the vendor for work done for Pink Floyd, all in folio
comprising: photographs of the artist's studio showing construction of the storyboard for animated hammer walk-cycle; two large sketches in blue pencil of barbed wire, used by artists painting animation cels for background in a scene from 'The Wall' plus test film strip; twenty-five drawings of small hammer walk-cycles; four drawings and copy of forward-walking cycles of hammers; eleven drawings, initial working sketches of animation sequence of hammer walk-cycle; a two-piece preliminary rough sketch of hammers' walk-cycle; seven initial working sketches of animated creature from 'The Wall'; an original cardboard bird model and five sketches used to aid animation for 'The Wall', these being preliminary drawings from which the bird sequence was created; several reels of test film strips; an original storyboard rough for marching hammers animation with two original hammer drawings; a set of eight b/w photographs used for perspective movement for animated hammers; a hammer in display box, with black handle and brick-red shaft, 12½ inches (32cm) long; an unfinished acetate (with drawing) for animation used in concert, 'Animals' tour 1977, being a detailed surface of globe plus test film strips of maze on globe's surface; unfinished prototype acetate for 'Animals' tour, the globe depicted in the sky, plus prototype cels of monolith; tour programme for each of 'Animals' and 'The Wall', with one ticket for Wembley, 17th March 1977 and four for Earls Court, 17th June 1981; and a collection of carbon copies of invoices from the vendor for work done for Pink Floyd, all in folio
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