). The ‘aristocratic’ facial type that Rossellino employed for the Queen of Heaven in that rendering is also to be found in a marble panel probably originating from the Medici collection, but since 1626 in Innsbruck and Vienna, and in the Leeds Madonna. - Dr Charles Avery independent art historian and former Deputy Keeper of the Department of Sculpture at the V&A Museum
). The ‘aristocratic’ facial type that Rossellino employed for the Queen of Heaven in that rendering is also to be found in a marble panel probably originating from the Medici collection, but since 1626 in Innsbruck and Vienna, and in the Leeds Madonna. - Dr Charles Avery independent art historian and former Deputy Keeper of the Department of Sculpture at the V&A Museum
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.jpg "Quelle: Christie's")