Beschreibung:

Michael George Brennan (1839-1871)
Signature: faintly inscribed and dated on the stretcher
Medium: oil on canvas
Size: 25 x 18in. (63½ x 45.72cm) Framed Size: 34.50 x 27.50in. (87.63 x 69.85cm) Condition: Some surface dirt visible. Areas of rubbing visible at extreme edges where the canvas meets the frame. Otherwise very good condition. Michael George Brennan subject and landscape painter, was born and educated in Castlebar Co. Mayo where his talents were noted by Charles O'Donal, afterwards a police magistrate in Dublin (Strickland, p.83). Aged fifteen he was sent to the Dublin So...Read more Michael George Brennan subject and landscape painter, was born and educated in Castlebar Co. Mayo where his talents were noted by Charles O'Donal, afterwards a police magistrate in Dublin (Strickland, p.83). Aged fifteen he was sent to the Dublin Society's School and later the Royal Hibernian Academy where his skills where honed. He later travelled to London, working on several publications there, including Fun, a rival to Punch. Ill health in the form of typhoid fever led Brennan back to Ireland and later prompted a further relocation to the warmer climes of Italy. Settling first in Rome, Brennan continued to send back paintings for exhibition in the Royal Academy between the years 1865-1878. Strickland describes how his works were 'warmly praised as admirably painted, harmonious in colour, and full of character and feeling.' Brennan's deteriorating condition provoked later trips to Capri and it was here that he came in contact with the subject of this work, Miss Laura Catherine Redden, a celebrated deaf American poet, journalist and author. The pair were engaged within ten days of meeting and while they discussed their future wedding plans the engagement was ultimately broken off, the reasons for which are unknown. One rumoured explanation was that Redden was not willing to forego her flourishing career. Brennan died from a fall in 1871. Laura Catherine Redden (1839-1923) was born in Maryland in the United States. Having lost her hearing at the age eleven she enrolled in the Missouri School for the Deaf (MSD) and later developed the skill of sign language and the American Manual Alphabet. Upon graduation in 1859 Redden was unable to enrol in college because of her disability; thus to supplement her education she travelled to Europe between 1865-1896 where she studied several languages. When she met Brennan she was already a published writer with articles in Harper's Magazine and American Annals of the Deaf where she championed the struggles of the deaf community. Earlier in 1860, she became the editorialist for the St. Louis Republican and officially adopted the pseudonym Howard Glyndon. In 1861, she was sent by the St. Louis Republican to Washington D.C. report on the American Civil War. She was a pro-Union loyalist and wrote poems about the experiences and human interests of the battlefield. Redden also wrote to Abraham Lincoln and Ulysses S. Grant during the war period and it was with this wealth of experience that she later travelled to Europe between 1865-1869 to become a correspondent for The New York Times. After the engagement to Brennan was called off, Redden returned to America and in 1876 married Edward Whelan Searing, a lawyer, with whom she had one child. By 1870, she returned to New York and Boston and was a staff writer for the New York Evening Mail and contributed to Galaxy, Harper's Magazine, and the Tribune. The marriage did not last and they divorced in 1894. Laura Redden Searing died in 1923 and was buried in Colma, California. She is remembered as a pioneer within the deaf community and is pictured here as a sensual muse of a former lover in the prime of her life. Visualise on Your Wall Using Art Visualiser 1. Scan the QR Code / Download Art Visualiser if it's your 1st time 2. Press Visualise On Wall / Aim your phone at your floor while it calibrates * 3. Move your position until it meets the floor and bottom of your wall 4. Click the Pin icon to lock it into place and the painting will appear on your wall 5. You can move t