NASA A pair of photographs, comprising: 1) Official portrait of the Apollo 16 crew. The crew members John Young Commander; Ken Mattingly, Command Module pilot; and Charles Duke, Lunar Module pilot pose for a portrait in front of an earthrise image and their mission's insignia (first photograph) January 1972 Vintage chromogenic print on fibre-based Kodak paper, 25.4 x 20.3 cm (10 x 8 in), with A KODAK PAPER watermarks on the verso (NASA / RCA) 2) John Young (left) and Charles Duke check out the Lunar Rover systems with their camera equipment hung on their chest (second photograph) during a simulation of EVA near the LM November 1971 Vintage gelatin silver print on fibre-based paper, 25.4 x 20.3 cm (10 x 8 in), NASA photo no 71-H-1739, with NASA Headquarters caption on the verso Footnotes: 'We spent hundreds of hours training in the spacesuits, collecting pseudo-samples, photographing the samples in place and after we had collected them. It taught us how to point the camera and how to center the picture without a viewfinder. The cameras were hung on our chests, and we got to where we could just point the thing and guess the distances. We were pretty good at it; I was pleased with the way they turned out. Charles Duke
NASA A pair of photographs, comprising: 1) Official portrait of the Apollo 16 crew. The crew members John Young Commander; Ken Mattingly, Command Module pilot; and Charles Duke, Lunar Module pilot pose for a portrait in front of an earthrise image and their mission's insignia (first photograph) January 1972 Vintage chromogenic print on fibre-based Kodak paper, 25.4 x 20.3 cm (10 x 8 in), with A KODAK PAPER watermarks on the verso (NASA / RCA) 2) John Young (left) and Charles Duke check out the Lunar Rover systems with their camera equipment hung on their chest (second photograph) during a simulation of EVA near the LM November 1971 Vintage gelatin silver print on fibre-based paper, 25.4 x 20.3 cm (10 x 8 in), NASA photo no 71-H-1739, with NASA Headquarters caption on the verso Footnotes: 'We spent hundreds of hours training in the spacesuits, collecting pseudo-samples, photographing the samples in place and after we had collected them. It taught us how to point the camera and how to center the picture without a viewfinder. The cameras were hung on our chests, and we got to where we could just point the thing and guess the distances. We were pretty good at it; I was pleased with the way they turned out. Charles Duke
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