(Books & Works on Paper including Aviation & Transport, 31st July 2020) Prints, miscellaneous. Prints, miscellaneous.- Vieillard (Roger) Le cheval de la nuit, engraving, signed by artist, one of 40, wove paper, full margins, 1944-47; Charoy (Bernard) Untitled, LIMITED EDITIONS, nine lithographs printed in colours, each signed in pencil and numbered variously, wove paper, full margins, n.d.; Siekmann (Andreas) Aus: Trickle Down. Der Offentliche Raum im Zeitalter seiner Privatisierung, number 23 of 100 copies, inkjet print, signed, dated and numbered in pencil verso, 2007; Brookes (Peter) Pre-Palumbian, ink on paper, signed lower left, cartoon for The Times, 1990 [with] Deyerlsperg (Georg Jacob) Engraved frontispiece from Allerdurchleuchtigist-Grossmächtigisten und unüberwindlichsten Römischen Kayser..., hand-coloured, decorative border with two inserted views, portrait of King Philip V, decorated with multiple cherubs, central vertical fold, minor surface dirt, small marginal tear, not affecting image, 490 x 580mm, [c.1740]; Austen (John) Frontispiece designs for ‘The Comedy of Errors’, including one original design in pencil on wove paper, with three variant state woodcuts of the same design on Japan, one printed in green, yellow and blue, pencil design signed and inscribed by artist, each c.230 x 145mm, [c.1939]; Gourdaine (Jean Pierre Norblin de la) Old man ‘Mazeppa’, etching, later state with inscription ‘Mazeppa aetat 70’, laid down, 90 x 85 mm, [Hillemacher 65], c.1777; Rieser (Dolf) Bird Catcher, number 11 of 45, titled and signed in pencil, 395 x 590mm; Bird + Nest, artist's proof, signed and titled in pencil, 320 x 370mm; N’Aebule, number 7 of 50, 385 x 575mm; coloured aquatints, and one other c.1952; Finlay (Ian Hamilton & Nicholson (Jim) Someone, somewhere wants a cable from you, silkscreen print, some chipping and tears in margins, creasing, stain in upper right margin, image 500 x 710mm; Wild Hawthorn Press, 1977; Finlay (Ian Hamilton & Gardner (Ian) Penny Browns, offset lithograph, image 85 x 245mm, 1982; Cocteau (Jean) Griffin, 1957; Poets, 1958; Profil à l'étoile, 1960; lithographs, artist’s stamps, wove paper, deckle edges, sheets 510 x 360mm; Castellón (Federico) The Birth of Paris, NUMBER 31 OF 80 COPIES, BFK Rives wove paper, signed in pencil, image 490 x 390mm, 1965; Arroyo (Eduardo) Bonaparte, ARTIST’S PROOF, VII/X, wove paper, signed and dated in pencil, some browning and creasing, image 560 x 410mm, 1964, lithographs; Brodzky (Horace) Bather, number XVII of XXV, linocut, conceived 1919, printed to mark the 20th anniversary of the artist’s death, publisher’s blindstamp, 220 x 210mm, White Gum Press, 1989 (32) (Qty: 32)
(Books & Works on Paper including Aviation & Transport, 31st July 2020) Prints, miscellaneous. Prints, miscellaneous.- Vieillard (Roger) Le cheval de la nuit, engraving, signed by artist, one of 40, wove paper, full margins, 1944-47; Charoy (Bernard) Untitled, LIMITED EDITIONS, nine lithographs printed in colours, each signed in pencil and numbered variously, wove paper, full margins, n.d.; Siekmann (Andreas) Aus: Trickle Down. Der Offentliche Raum im Zeitalter seiner Privatisierung, number 23 of 100 copies, inkjet print, signed, dated and numbered in pencil verso, 2007; Brookes (Peter) Pre-Palumbian, ink on paper, signed lower left, cartoon for The Times, 1990 [with] Deyerlsperg (Georg Jacob) Engraved frontispiece from Allerdurchleuchtigist-Grossmächtigisten und unüberwindlichsten Römischen Kayser..., hand-coloured, decorative border with two inserted views, portrait of King Philip V, decorated with multiple cherubs, central vertical fold, minor surface dirt, small marginal tear, not affecting image, 490 x 580mm, [c.1740]; Austen (John) Frontispiece designs for ‘The Comedy of Errors’, including one original design in pencil on wove paper, with three variant state woodcuts of the same design on Japan, one printed in green, yellow and blue, pencil design signed and inscribed by artist, each c.230 x 145mm, [c.1939]; Gourdaine (Jean Pierre Norblin de la) Old man ‘Mazeppa’, etching, later state with inscription ‘Mazeppa aetat 70’, laid down, 90 x 85 mm, [Hillemacher 65], c.1777; Rieser (Dolf) Bird Catcher, number 11 of 45, titled and signed in pencil, 395 x 590mm; Bird + Nest, artist's proof, signed and titled in pencil, 320 x 370mm; N’Aebule, number 7 of 50, 385 x 575mm; coloured aquatints, and one other c.1952; Finlay (Ian Hamilton & Nicholson (Jim) Someone, somewhere wants a cable from you, silkscreen print, some chipping and tears in margins, creasing, stain in upper right margin, image 500 x 710mm; Wild Hawthorn Press, 1977; Finlay (Ian Hamilton & Gardner (Ian) Penny Browns, offset lithograph, image 85 x 245mm, 1982; Cocteau (Jean) Griffin, 1957; Poets, 1958; Profil à l'étoile, 1960; lithographs, artist’s stamps, wove paper, deckle edges, sheets 510 x 360mm; Castellón (Federico) The Birth of Paris, NUMBER 31 OF 80 COPIES, BFK Rives wove paper, signed in pencil, image 490 x 390mm, 1965; Arroyo (Eduardo) Bonaparte, ARTIST’S PROOF, VII/X, wove paper, signed and dated in pencil, some browning and creasing, image 560 x 410mm, 1964, lithographs; Brodzky (Horace) Bather, number XVII of XXV, linocut, conceived 1919, printed to mark the 20th anniversary of the artist’s death, publisher’s blindstamp, 220 x 210mm, White Gum Press, 1989 (32) (Qty: 32)
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_d5812918g.jpg "Quelle: Christie's")
