PROPERTY FROM A DISTINGUISHED CALIFORNIA COLLECTION Alfred Stieglitz The Steerage circa 1907 Photogravure, printed on Japanese tissue. 7 3/4 x 6 in. (19.7 x 15.2 cm)
Provenance Fahey/Klein Gallery, Los Angeles Literature Bulfinch Press, Alfred Stieglitz Photographer, pl. 8 Camera Work, Number 36, October 1911 Greenough, Alfred Stieglitz The Key Set (Volume One), pl. 310 Greenough, Modern Art and America: Alfred Stieglitz and His New York Galleries, pl. 30 Little, Brown and Company, Alfred Stieglitz A Biography, Photography, Georgia O'Keeffe and the Rise of the Avant-Garde in America, n.p. Margolis, Alfred Stieglitz Camera Work: A Pictoral Guide, pl. IX National Gallery of Art, Washington, Alfred Stieglitz pl. 18 Random House, Alfred Stieglitz An American Seer, pl. XVI The Metropolitan Museum of Art, Unclassified: A Walker Evans Anthology, n.p. Taschen, Alfred Stieglitz Camera Work: The Complete Illustrations 1903-1917, cover and p. 590 Catalogue Essay Please reference the beginning of the afternoon session (lot 140) for an essay on this collection. Read More
PROPERTY FROM A DISTINGUISHED CALIFORNIA COLLECTION Alfred Stieglitz The Steerage circa 1907 Photogravure, printed on Japanese tissue. 7 3/4 x 6 in. (19.7 x 15.2 cm)
Provenance Fahey/Klein Gallery, Los Angeles Literature Bulfinch Press, Alfred Stieglitz Photographer, pl. 8 Camera Work, Number 36, October 1911 Greenough, Alfred Stieglitz The Key Set (Volume One), pl. 310 Greenough, Modern Art and America: Alfred Stieglitz and His New York Galleries, pl. 30 Little, Brown and Company, Alfred Stieglitz A Biography, Photography, Georgia O'Keeffe and the Rise of the Avant-Garde in America, n.p. Margolis, Alfred Stieglitz Camera Work: A Pictoral Guide, pl. IX National Gallery of Art, Washington, Alfred Stieglitz pl. 18 Random House, Alfred Stieglitz An American Seer, pl. XVI The Metropolitan Museum of Art, Unclassified: A Walker Evans Anthology, n.p. Taschen, Alfred Stieglitz Camera Work: The Complete Illustrations 1903-1917, cover and p. 590 Catalogue Essay Please reference the beginning of the afternoon session (lot 140) for an essay on this collection. Read More
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