Untitled (Charlotte Amelie, St. Thomas) Inscribed 'In September 1948 Donald Christenson who had bought in 1944 the/200 Bradford Street, Provincetown Mass property and studio of the late/Richard E. Miller, N.A.began the cleaning up of the old studio. This/unfinished painting was in an abandoned coal bin and he presented/it to Perry Stranberger of Montclair N.J. and Provoincetown Mr. Stranberger's opinion that it is a scene in Nice France at the Eastern end of the/Promenade des Anglais was sustained by the opinion of R. McGill Mackall,/Baltimore artist and pupil of R. E. Miller in the early 1900's in Paris/Hill in the background is presumed to be the Grande Corniche.' (on reverse) oil on board 16 x 25in
Untitled (Charlotte Amelie, St. Thomas) Inscribed 'In September 1948 Donald Christenson who had bought in 1944 the/200 Bradford Street, Provincetown Mass property and studio of the late/Richard E. Miller, N.A.began the cleaning up of the old studio. This/unfinished painting was in an abandoned coal bin and he presented/it to Perry Stranberger of Montclair N.J. and Provoincetown Mr. Stranberger's opinion that it is a scene in Nice France at the Eastern end of the/Promenade des Anglais was sustained by the opinion of R. McGill Mackall,/Baltimore artist and pupil of R. E. Miller in the early 1900's in Paris/Hill in the background is presumed to be the Grande Corniche.' (on reverse) oil on board 16 x 25in
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