[Score] LULLY, Jean-Baptiste Atys, tragedie mise en musique [...]. Paris, Christophe Ballard, Lge 4to: 4-pp. (min. foxing to 1st and last pp., occ. toning and soiling, pencil and ink mentions). Mod. green cloth, marbled paper boards, flat spine. Second ed. (1st of this "tragédie lyrique" with a prologue and five acts by Jean-Baptiste Lully to a libretto by Philippe Quinault after Ovid's Fasti. This work became known as "the king's opera" because of Louis XIV's fondness for it; it was performed many times over after its premiere on the 10th of January Ill. with an engr. front. and 6 engr. pl. Joined, 2 engr. harpsichord methods bound together: Jollage, C.-A. - Premier livre de pieces de clavecin [...]. Paris, chez l'auteur, - Dubugrarre, J.-F. - Methode plus courte et plus facile que l'ancienne pour l'accompagnement du clavecin [...]. Ibid., chez l'auteur, s.d. (2 vol.)
[Score] LULLY, Jean-Baptiste Atys, tragedie mise en musique [...]. Paris, Christophe Ballard, Lge 4to: 4-pp. (min. foxing to 1st and last pp., occ. toning and soiling, pencil and ink mentions). Mod. green cloth, marbled paper boards, flat spine. Second ed. (1st of this "tragédie lyrique" with a prologue and five acts by Jean-Baptiste Lully to a libretto by Philippe Quinault after Ovid's Fasti. This work became known as "the king's opera" because of Louis XIV's fondness for it; it was performed many times over after its premiere on the 10th of January Ill. with an engr. front. and 6 engr. pl. Joined, 2 engr. harpsichord methods bound together: Jollage, C.-A. - Premier livre de pieces de clavecin [...]. Paris, chez l'auteur, - Dubugrarre, J.-F. - Methode plus courte et plus facile que l'ancienne pour l'accompagnement du clavecin [...]. Ibid., chez l'auteur, s.d. (2 vol.)
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