TAVERNIER (ADOLPHE)L'art du duel, ONE OF 60 COPIES "sur papier du Japon", with the plates in 2 states, from an overall edition of 500, AUTHOR'S PRESENTATION COPY, inscribed to Auguste Sauphar, 16 March 1909 on the front free endpaper, plates printed in bistre and black and white, later half cloth over marbled boards, t.e.g., original printed wrappers bound in [Thimm, p.285], Paris, C. Marpon and E. Flammarion, 1885--DESMEDT (EUGENE) La science de l'escrime. Avec une préface de Max Waller un dictionnaire de l'épée et un guide des escrimeurs, FIRST EDITION, 15 photographic plates, half morocco gilt by Riviere, t.e.g., original printed wrappers bound in [Thimm, p.78], Brussels, Widow Monnom, 1888--CORDELOIS (-). Leçons d'armes... du duel et de l'assaut théorie complètes sur l'art de l'escrime, second illustrated edition, AUTHOR'S AUTHENTIFICATION SIGNATURE on verso of title, engraved frontispiece portrait and 28 plates, contemporary half red morocco, marbled edges, slightly rubbed [Thimm, p.66], Paris, J. Dumaine, 1872--HERGSELL (GUSTAV) Die Fechtkunst, FIRST EDITION, half-title, 22 plates, a few red pencil annotations in margins, publisher's pictorial cloth gilt [Thimm, p.134], Vienna, A. Hartleben, 1881--ESCHER (J. BAPTISTE) Anweisung zur Fechtkunst auf Hiebe in verhangter und steiler Auslage, FIRST EDITION, 18 engraved or lithographed plates, some spotting and browning to text, modern cloth, publisher's blue printed wrappers bound in [Thimm, p.93], oblong 4to, Freiburg, Groos, 1833--SUTOR (JACOB) Kunstliches Fechtbuch zum Nutzen der Soldaten, Studenten und Turner, fascimile of the 1612 edition, edited by J. Scheible, illustrations of fencing positions, light spotting, contemporary green morocco, lettered in gilt on the spine, rubbed [Thimm, p.167], Frankfurt, J. Scheible, 1849, unless otherwise mentioned 8vo (6)FootnotesProvenance: First work, Auguste Sauphar, inscription from the author, dated 1909; second work, J.R. Garcia Donnell, Armand Massard, Jean Georgel, bookplates (the second and third "fencing" plates); fourth work, Jean Georgel; fifth work, F.A. Gerlach, ownership stamp on endpapers.
TAVERNIER (ADOLPHE)L'art du duel, ONE OF 60 COPIES "sur papier du Japon", with the plates in 2 states, from an overall edition of 500, AUTHOR'S PRESENTATION COPY, inscribed to Auguste Sauphar, 16 March 1909 on the front free endpaper, plates printed in bistre and black and white, later half cloth over marbled boards, t.e.g., original printed wrappers bound in [Thimm, p.285], Paris, C. Marpon and E. Flammarion, 1885--DESMEDT (EUGENE) La science de l'escrime. Avec une préface de Max Waller un dictionnaire de l'épée et un guide des escrimeurs, FIRST EDITION, 15 photographic plates, half morocco gilt by Riviere, t.e.g., original printed wrappers bound in [Thimm, p.78], Brussels, Widow Monnom, 1888--CORDELOIS (-). Leçons d'armes... du duel et de l'assaut théorie complètes sur l'art de l'escrime, second illustrated edition, AUTHOR'S AUTHENTIFICATION SIGNATURE on verso of title, engraved frontispiece portrait and 28 plates, contemporary half red morocco, marbled edges, slightly rubbed [Thimm, p.66], Paris, J. Dumaine, 1872--HERGSELL (GUSTAV) Die Fechtkunst, FIRST EDITION, half-title, 22 plates, a few red pencil annotations in margins, publisher's pictorial cloth gilt [Thimm, p.134], Vienna, A. Hartleben, 1881--ESCHER (J. BAPTISTE) Anweisung zur Fechtkunst auf Hiebe in verhangter und steiler Auslage, FIRST EDITION, 18 engraved or lithographed plates, some spotting and browning to text, modern cloth, publisher's blue printed wrappers bound in [Thimm, p.93], oblong 4to, Freiburg, Groos, 1833--SUTOR (JACOB) Kunstliches Fechtbuch zum Nutzen der Soldaten, Studenten und Turner, fascimile of the 1612 edition, edited by J. Scheible, illustrations of fencing positions, light spotting, contemporary green morocco, lettered in gilt on the spine, rubbed [Thimm, p.167], Frankfurt, J. Scheible, 1849, unless otherwise mentioned 8vo (6)FootnotesProvenance: First work, Auguste Sauphar, inscription from the author, dated 1909; second work, J.R. Garcia Donnell, Armand Massard, Jean Georgel, bookplates (the second and third "fencing" plates); fourth work, Jean Georgel; fifth work, F.A. Gerlach, ownership stamp on endpapers.
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