Artist: Terence P. Flanagan PRUA RHA (1929-2011) Title: April Meadows (1965) Signature: signed lower right Medium: oil on board Size: 25 x 30cm (9.8 x 11.8in) Framed Size: 35.7 x 41.2cm (14.1 x 16.2in) Provenance: The Ritchie Hendriks Gallery, Dublin (label verso); The Collection of Montague Kavanagh, Esq; Private Collection a#morebtn { color: #de1d01; } a#morebtn:hover { cursor: pointer;} A watercolourist of brilliance, TP Flanagan was born in Enniskillen and was thoroughly at home in the watery Fermanagh landscape, as he was in Sligo and Donegal. He was also a fine painter in oils, as this fresh, rain-washed, subtly coloured work makes clear. The physicality of the pigment allows hi... Read more A watercolourist of brilliance, TP Flanagan was born in Enniskillen and was thoroughly at home in the watery Fermanagh landscape, as he was in Sligo and Donegal. He was also a fine painter in oils, as this fresh, rain-washed, subtly coloured work makes clear. The physicality of the pigment allows him the added technical possibility of inscribing marks into the paint surface in a finely poised composition. Aidan Dunne, November 2020
Artist: Terence P. Flanagan PRUA RHA (1929-2011) Title: April Meadows (1965) Signature: signed lower right Medium: oil on board Size: 25 x 30cm (9.8 x 11.8in) Framed Size: 35.7 x 41.2cm (14.1 x 16.2in) Provenance: The Ritchie Hendriks Gallery, Dublin (label verso); The Collection of Montague Kavanagh, Esq; Private Collection a#morebtn { color: #de1d01; } a#morebtn:hover { cursor: pointer;} A watercolourist of brilliance, TP Flanagan was born in Enniskillen and was thoroughly at home in the watery Fermanagh landscape, as he was in Sligo and Donegal. He was also a fine painter in oils, as this fresh, rain-washed, subtly coloured work makes clear. The physicality of the pigment allows hi... Read more A watercolourist of brilliance, TP Flanagan was born in Enniskillen and was thoroughly at home in the watery Fermanagh landscape, as he was in Sligo and Donegal. He was also a fine painter in oils, as this fresh, rain-washed, subtly coloured work makes clear. The physicality of the pigment allows him the added technical possibility of inscribing marks into the paint surface in a finely poised composition. Aidan Dunne, November 2020
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