Beschreibung:

Co Cordèl (Bolsward 1957) a) Still life with pharmacy bottle and mortar Signed and dated ’90 lower centre Oil on board, 40 x 22.9 cm b) Still life with glass bottles Oil on board, 40 x 23 cm (2x) * Condition report available upon request
Ger van Elk (1941-2014) "Nebraska I" (1984) Signed, titled and dated '84 on the reverse Colour photograph on polystyrene, polyurethane paint and varnish in grey painted frame, 168 x 124.6 x 17.3 cm Provenance: - Art & Project, Slootdorp, 1984 - Private collection, the Netherlands * Condition report available upon request
Co Cordèl (Bolsward 1957) a) Still life with pharmacy bottle and mortar Signed and dated ’90 lower centre Oil on board, 40 x 22.9 cm b) Still life with glass bottles Oil on board, 40 x 23 cm (2x) * Condition report available upon request
Ger van Elk (1941-2014) Conclusion I - New York "Grey" (2010) Signed and dated 2010 on the reverse Signed, titled and dated 2010 on a label attached to the backing of the frame Acrylic paint on photograph on canvas, 96 x 102 x 5.5 cm Provenance: - Grimm Gallery, Amsterdam - Private collection, the Netherlands Note: In the nuanced masterpiece Conclusions I - New York "Grey", Ger van Elk transcends the conventional boundaries of colour, ushering viewers into a contemplative realm where emotions are expressed through the subtle interplay of shades of grey. With meticulous brushstrokes, Van Elk transforms the canvas into a visual poetry, delving deep into the intricacies of the human psyche. The monochromatic palette, devoid of vibrant hues, serves as a canvas for profound introspection. Each stroke seems to echo the intricate layers of human emotion, inviting viewers to embark on a reflective journey. Through this artwork, Van Elk captures the essence of emotional complexity, leaving an indelible impression on the observer, and reaffirming his status as a master of evocative minimalism. * Condition report available upon request
Co Cordèl (Bolsward 1957) a) Still life with pharmacy bottle and mortar Signed and dated ’90 lower centre Oil on board, 40 x 22.9 cm b) Still life with glass bottles Oil on board, 40 x 23 cm (2x) * Condition report available upon request
Brian Ballard (1943) Black vase in Mirror (1990) Signed and dated '90 lower left Oil on canvas, 35.7 x 25.7 cm Provenance: - Beaux Arts Bath, Bath - Private collection, the Netherlands * Condition report available upon request
Co Cordèl (Bolsward 1957) a) Still life with pharmacy bottle and mortar Signed and dated ’90 lower centre Oil on board, 40 x 22.9 cm b) Still life with glass bottles Oil on board, 40 x 23 cm (2x) * Condition report available upon request
Brian Ballard (1943) Three Roses (1989) Signed and dated '89 lower right Oil on board, 30.6 x 40.6 cm Provenance: - Mistral Galleries, London (inv.no. BB41) - Private collection, the Netherlands * Condition report available upon request
Co Cordèl (Bolsward 1957) a) Still life with pharmacy bottle and mortar Signed and dated ’90 lower centre Oil on board, 40 x 22.9 cm b) Still life with glass bottles Oil on board, 40 x 23 cm (2x) * Condition report available upon request
Thomas Frontini (1967) The Final Day of The Artist Colony (2018) Signed lower right Oil on canvas, 114.5 x 142.7 cm Provenance: - David Gibson Gallery, New York City, 2019 - Corporate collection, the Netherlands * Condition report available upon request
Co Cordèl (Bolsward 1957) a) Still life with pharmacy bottle and mortar Signed and dated ’90 lower centre Oil on board, 40 x 22.9 cm b) Still life with glass bottles Oil on board, 40 x 23 cm (2x) * Condition report available upon request
Thomas Frontini (1967) Monumental Still Life at the Pink Falls (2018) Signed lower right Oil on panel, 50.8 x 70.9 cm Provenance: - David Gibson Gallery, New York City, 2019 - Corporate collection, the Netherlands * Condition report available upon request
Co Cordèl (Bolsward 1957) a) Still life with pharmacy bottle and mortar Signed and dated ’90 lower centre Oil on board,