Lot of 3 CDVs by James P. Ball. CDV studio half-portrait of a white man seated at a table. Ball & Thomas: Cincinnati, Ohio, n.d., ca 1858-1860. 120 West Fourth Street imprint on verso. CDV full-length studio portrait of two children, likely siblings. J.P. Ball: Cincinnati, Ohio, n.d., ca 1862-1868. The young boy wears a jacket with a scalloped edge and holds a hat. The young girl wears a pleated plaid dress, necklace, earrings, and hairband. Both rest their arms on a small table with a flowered tablecloth. 30 West 4th Street imprint on verso. CDV studio half-portrait of a white man leaning upon a rustic fence. J.P. Ball & Son: Cincinnati, Ohio, n.d., ca 1870-1871. James Presley Ball (1825-1904) is one of the most renowned African American photographers at one point owning the largest photographic gallery west of the Appalachians. When visiting White Sulphur Sprints, Virginia in 1845 he met John B. Bailey, an African American daguerreotypist from Boston where he acquired the passion and skill of photography. He opened a studio in Cincinnati later that year, and though it was unsuccessful, he continued his art with studios in Pittsburgh and Richmond and traveled as an itinerant daguerreotypist. In 1849, he reopened a studio in Cincinnati. He hired his younger brother Thomas Ball to work as an operator, and in 1852 hired his future brother-in-law Alexander Thomas to work with him. By 1857, their gallery was one of the grandest in the United States attracting notables including Frederick Douglass. He was chosen in 1887 as the official photographer of a celebration of the 25th anniversary of the Emancipation Proclamation held in Minneapolis-St.Paul. In 1888, he moved to Helena, Montana with his son where he operated a studio for several years before moving again in 1892 to Seattle. Condition: Toning and some soiling to image of children.
Lot of 3 CDVs by James P. Ball. CDV studio half-portrait of a white man seated at a table. Ball & Thomas: Cincinnati, Ohio, n.d., ca 1858-1860. 120 West Fourth Street imprint on verso. CDV full-length studio portrait of two children, likely siblings. J.P. Ball: Cincinnati, Ohio, n.d., ca 1862-1868. The young boy wears a jacket with a scalloped edge and holds a hat. The young girl wears a pleated plaid dress, necklace, earrings, and hairband. Both rest their arms on a small table with a flowered tablecloth. 30 West 4th Street imprint on verso. CDV studio half-portrait of a white man leaning upon a rustic fence. J.P. Ball & Son: Cincinnati, Ohio, n.d., ca 1870-1871. James Presley Ball (1825-1904) is one of the most renowned African American photographers at one point owning the largest photographic gallery west of the Appalachians. When visiting White Sulphur Sprints, Virginia in 1845 he met John B. Bailey, an African American daguerreotypist from Boston where he acquired the passion and skill of photography. He opened a studio in Cincinnati later that year, and though it was unsuccessful, he continued his art with studios in Pittsburgh and Richmond and traveled as an itinerant daguerreotypist. In 1849, he reopened a studio in Cincinnati. He hired his younger brother Thomas Ball to work as an operator, and in 1852 hired his future brother-in-law Alexander Thomas to work with him. By 1857, their gallery was one of the grandest in the United States attracting notables including Frederick Douglass. He was chosen in 1887 as the official photographer of a celebration of the 25th anniversary of the Emancipation Proclamation held in Minneapolis-St.Paul. In 1888, he moved to Helena, Montana with his son where he operated a studio for several years before moving again in 1892 to Seattle. Condition: Toning and some soiling to image of children.
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