Japon, époque Edo (1615-1868), vers 1856-1864
UTAGAWA HIROSHIGE (1797-1858) AND UTAGAWA HIROSHIGE II (1826-1869)
Japan, Edo Period (1615-1868), circa 1856-1864
Comprising six oban tate-e prints: three by Hiroshige I from the series Meisho Edo hyakkei (100 Famous Views of Edo), consisting of Ryogoku Hanabi (Fireworks at Ryogoku), Kakuchu shinonome (Dawn inside the Yoshiwara) and Asakusagawa Shubi no matsu Oumayagashi (Pine of Success and Oumayagashi, Asakusa River); three by Hiroshige II, consisting of Kyoto and Shimotsuke, from the series Shokoku Meisho hyakkei (Famous Views of Edo); all published between 1856-1864 by Uoya Eikichi, except for the last by Fujiokaya Keijiro, five signed Hiroshige ga and one signed Hiroshige hitsu. The largest: 35.7cm (14in) x 23.5cm (9 1/4in); the smallest: 33cm (13in) x 22cm (8 5/8in). (6).
Japon, époque Edo (1615-1868), vers 1856-1864
UTAGAWA HIROSHIGE (1797-1858) AND UTAGAWA HIROSHIGE II (1826-1869)
Japan, Edo Period (1615-1868), circa 1856-1864
Comprising six oban tate-e prints: three by Hiroshige I from the series Meisho Edo hyakkei (100 Famous Views of Edo), consisting of Ryogoku Hanabi (Fireworks at Ryogoku), Kakuchu shinonome (Dawn inside the Yoshiwara) and Asakusagawa Shubi no matsu Oumayagashi (Pine of Success and Oumayagashi, Asakusa River); three by Hiroshige II, consisting of Kyoto and Shimotsuke, from the series Shokoku Meisho hyakkei (Famous Views of Edo); all published between 1856-1864 by Uoya Eikichi, except for the last by Fujiokaya Keijiro, five signed Hiroshige ga and one signed Hiroshige hitsu. The largest: 35.7cm (14in) x 23.5cm (9 1/4in); the smallest: 33cm (13in) x 22cm (8 5/8in). (6).
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